Emerald Flow VI | Abstract Ocean-Inspired Round Oil Artwork, 2026
Yana Dmitrieva  

Painting : oil · 30 x 30 x 1.5 cm 11.8 x 11.8 x 0.6 inch · Ready to hang

€465 465 €
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Shipped from: Montenegro

Delivery to: Spain , € 74

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 1.5 cm 11.8 x 11.8 x 0.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This contemporary abstract artwork explores the visual language of water through fluid brushwork and layered oil textures. The composition evokes the shifting surface of the sea, where light, movement, and depth merge into a continuous flow. The circular canvas enhances the immersive quality, removing boundaries and reinforcing a sense of infinity.

Dominated by emerald greens and deep blues, the palette creates a calm yet dynamic presence. The work functions both as a standalone piece and as part of a larger series composition, offering flexibility for collectors and interior designers.

An ideal choice for modern interiors, this artwork brings a refined, meditative atmosphere while maintaining a strong visual identity. Suitable as a statement piece or a thoughtful gift.

Abstract

Aquatic

Abstract expressionism

Sea

Ocean

Waves

Dark blue

Green

Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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