Estudo sobre tela I, 2025
Painting : acrylic, charcoal · 90 x 70 x 3 cm 35.4 x 27.6 x 1.2 inch · Ready to hang
€9,500
9 500 €
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Delivery to: Spain Free delivery
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
90 x 70 x 3 cm 35.4 x 27.6 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
101 x 81 x 4 cm 39.8 x 31.9 x 1.6 inch
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Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
In Estudo sobre tela I, Ritchelly Oliveira explores the expressive potential of portraiture through a striking contrast between black and vivid fuchsia.
The composition depicts a closely framed human figure whose facial features are largely absorbed into darkness. Only the eyes and subtle highlights remain visible, establishing an intense visual connection with the viewer.
Executed in charcoal and acrylic on canvas, the work departs from conventional detailed portraiture, emphasizing simplified forms, strong chromatic contrast, and the relationship between presence and concealment.
Through this reduced visual language, Oliveira creates a portrait that moves between figuration and abstraction, inviting reflection on identity, perception, and emotional expression.
Artwork details
Artist: Ritchelly Oliveira
Title: Estudo sobre tela I
Year: 2025
Medium: Charcoal and acrylic on canvas
Unframed dimensions: 90 × 70 × 2 cm | 35.4 × 27.6 × 0.8 in
Framed dimensions: 101 × 81 × 4 cm | 39.8 × 31.9 × 1.6 in
Presentation
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
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