Crépuscule III, 2019
Painting : oil · 30 x 30 x 3.5 cm 11.8 x 11.8 x 1.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 34
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 30 x 3.5 cm 11.8 x 11.8 x 1.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The technique relies on the use of rigid wooden panels. Oil paint is applied in thin layers. The artist scrapes and pushes the material to create plays of transparency. This process reveals subtle nuances and a singular visual depth.
This landscape does not seek a faithful reproduction of nature. It is an abstract dialogue with the elements. The graphic lines intertwine with soft tones. The whole exudes a serene and contemplative harmony.
The small square paintings 30x30 are well suited to be hung in a series.
Presentation
Originally from the Netherlands, I completed my studies at the Breda Academy of Fine Arts in 1993. In 2001, I settled in France, in the Creuse region. I combine my life as an artist with that of an art therapist. I exhibit regularly in France and the Netherlands (Concept Store Gallery, La Baule – Salon d'Art Contemporain d'Auvergne, Clermont-Ferrand – Galerie Peter Bax, Sneek, The Netherlands) and I participate in land art or environmental art festivals (Vign'art, Epernay – Festival de l'Estran, Côte de Granit Rose).
My small paintings are the simplest; they contain only color, sky, and sea. The larger paintings can be more complex, a graphic design blending with the transparent colors of the sea, seeking a harmony of several different elements. I don't reproduce nature, but I need this interaction with nature, this "dialogue," to nourish my work.
As a support for my paintings, I often use wooden panels. The wood is rigid, which allows me to scrape and push the paint away. I apply oil paint in thin layers that are then moved or pushed away. This way of working allows me to play with transparencies and layering, to find colors with a certain depth and surprising nuances.
Reviews from our customers
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