Untitled, 2026
Painting : oil · 16 x 17 x 0.1 cm 6.3 x 6.7 x 0 inch
£305
305 £GB
Shipping & delivery
Shipped from: Georgia
Delivery to: United Kingdom , £ 46
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
16 x 17 x 0.1 cm 6.3 x 6.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This oil painting captures a visceral sense of motion through thick impasto application. The artist employs a bold tactile approach to bring abstraction to life. Swirls of ochre and soft pink clash with deep burgundy tones. These heavy strokes create a three-dimensional relief on the canvas. The neutral grey background provides a silent stage for the energetic composition. It allows the rich textures to dominate the viewer's attention. Each movement of the brush feels deliberate and emotive. The contrast between the light pastel hues and the dark shadows adds dramatic depth. This artwork showcases a masterful command of oil medium. It explores the tension between organic shapes and structured chaos. The composition flows from left to right in a rhythmic dance of pigment. Light catches the ridges of the paint to create shifting highlights. The final result is a sophisticated study of color and materiality.
Presentation
Nino Tolomashvili is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. After completing her schooling, she pursued her studies at the Tbilisi State Academy of Arts. While focusing on painting, she developed a deep interest in abstraction, which eventually became her main mode of artistic expression. Her abstract works are characterized by their rich and diverse textures.
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