L'homme au palmier, 2026
Sophie Moisan  

Photography : pigment ink, fine art print · 20 x 20 x 0.2 cm 7.9 x 7.9 x 0.1 inch · Ready to hang

CHF 125 125 CHF
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Shipped from: France

Delivery to: Switzerland , CHF 12

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

2 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

20 x 20 x 0.2 cm 7.9 x 7.9 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

22 x 22 x 2 cm 8.7 x 8.7 x 0.8 inch

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Credentials

Vetted seller since 2026

Description
A daily scene transforms into a dreamlike vision. The rain saturates the space and fragments reality. Seen through a wet pane of glass, a palm tree unfolds like a graphic shadow against a azure sky. A silhouette appears, almost erased by the water droplets. The gaze traverses a liquid wall that blurs the contours. The palm tree and the silhouette seem to be one.
The image plays on transparency and abstraction. The composition emphasizes a suspended moment, between presence and disappearance. The deep blue of the horizon stabilizes the entire composition.
This conceptual work is part of the Sirocco series which uses photography to explore sensory perception. The pigment printing technique on fine art paper ensures rigorous chromatic precision. This photo, created in 2026, captures the aesthetic of a fleeting moment. The details merge into a play of organic textures. The whole rests on a balance between figuration and visual deconstruction.
Limited edition of 10 copies. Series all formats of 25 copies.

Everyday life

Conceptual

figurative

Neo-impressionism

Ocean

Palm Trees

Walk

Sky blue

Sophie Moisan

France  • 1968

Presentation

Sophie Moisan is a photographer. She lives and works in Paris, France.

Her photographic approach has been built over the years around a deeply personal vision, imbued with emotion and intimacy. Inspired by impressionism, she explores a photography that does not seek to faithfully reproduce reality, but to translate the sensitive perception of it. Blur, alterations, deformations of the image become a language, a way to evoke states of mind, memories, inner resonances.

Her relationship with photography is rooted very early. As a child, she discovers her mother's work, a photojournalist, who had set up her photo lab at home. The hours spent developing images under the red light of the laboratory constitute foundational memories for her. At the age of seven, she takes up a first photographic device. Her very first image — a trivial, almost absurd photograph — already marks an intuitive and conceptual relationship to the image.

Sophie Moisan then trains at the École Supérieure de Réalisations Audiovisuelles (ESRA). She first focuses on the world of advertising and audiovisual creation, working as a copywriter/concept writer within agencies such as RSCG Havas and Dassas Jaglin, then as a screenwriter for France Télévisions.

A personal event marks her finally back to her first practice: art photography in limited edition prints. She fully engages in it then, not as a simple visual medium, but as a space for inner exploration.

For Sophie Moisan, photographing consists as much of exploring the inside as of capturing the outside. She transforms the image from the moment of shooting, introducing blurs, deformations, and fragments to translate the fragile poetry of simple and everyday moments. The rain, omnipresent in her work, becomes a sensitive material: ephemeral drops, possible tears, traces of melancholy or an unspeakable happiness.

Her images invite the viewer to project their own memory, to inhabit the image with their story.

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