Grey Screen, 2025
Nazar Symotiuk  

Sculpture : wood, assemblage · 90 x 150 x 5 cm 35.4 x 59.1 x 2 inch

£3,577 3 577 £GB

One of the last works available by this artist

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Shipped from: Ukraine

Delivery to: United Kingdom , £ 480

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

wood , assemblage , without pedestal

Dimensions ( cm • inch )

90 x 150 x 5 cm 35.4 x 59.1 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2022 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description

Two vertical lines of vivid blue give this large wood wall sculpture its distinctive focus. Across the surrounding grid, white and grey tones darken towards the centre, creating an impression of depth within a shallow relief. The blue appears especially intense against this subdued field, holding the gaze while the repeated forms lead it outwards.

From a distance, the composition has the clarity of a graphic image. Closer viewing reveals rows of projecting wooden cylinders, with light catching their circular ends and shadows gathering between them. Walking past the work changes the balance of dots, lines and visible depth.

For collectors interested in Op Art and restrained geometric abstraction, Grey Screen offers a substantial horizontal focal piece. Its limited palette combines architectural order with a concentrated colour accent, giving the wall an active surface that rewards viewing from different positions.

Abstract

Geometric

Wall sculpture

Geometric abstraction

Composition

Op Art

Abstract Minimalism

Relief

Black

Dark blue

Ukraine  • 1992

Presentation

Nazar Symotiuk (born 1992) is a Ukrainian sculptor based in Lviv whose work explores how color, repetition and physical depth shape perception. Working primarily with wood, he creates wall reliefs and freestanding sculptures that connect geometric precision with the changing experience of looking.

His signature reliefs bring together numerous individually positioned elements. Their arrangement establishes rhythms across the surface, while color, projecting forms and the spaces between them respond to light and viewpoint. From a distance, the compositions resolve into expansive patterns; closer inspection reveals their intricate construction and tactile character.

Drawing on his interests in Op Art, Pointillism and Impressionism, Symotiuk develops a sculptural language in which color helps organize space. Across different series, he considers perception, memory, disruption and the relationship between order and instability. The viewer’s movement becomes part of the encounter, revealing connections that remain hidden from a fixed position.

Symotiuk graduated from the Lviv National Academy of Arts, receiving his bachelor’s degree in 2016 and master’s degree in 2018. He is a senior lecturer at the Academy and a doctoral candidate researching Ukrainian interpretations of Op Art.

His international exhibition history includes the Ukrainian Pavilion at NordArt 2021 in Germany and presentations at Mees-Van De Wiele Galerie in Ghent. In 2025, his work featured in the exhibition project Ratio at Mercury Art Center in Lviv. His works are held in private collections across Europe, Japan and the United States.

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