Ophelia, 2024
Lucia Simone  

Peinture : huile · 100 x 150 x 3 cm 39.4 x 59.1 x 1.2 inch · Prête à accrocher

3 200 € 3 200 €

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Expédiée depuis : Italie

Livraison vers : France , 96 €

Délai estimé : Moins d'une semaine

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Avis vérifiés : 9.6/10
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À propos de l'œuvre

Type

Peinture : Œuvre unique

État

Œuvre vendue en parfait état, non encadrée, prête à accrocher

avec châssis

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Oeuvre signée à la main

Technique et Support

Dimensions ( cm • inch )

100 x 150 x 3 cm 39.4 x 59.1 x 1.2 inch Hauteur x Largeur x Profondeur

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Vendeur certifié depuis 2026

Description
Ophelia deconstructs the classical iconography of the Shakespearian drama, transforming the protagonist into a symbol of silent resistance.
Placed at the very center of the composition, the figure is enveloped in an evocative nocturne under the moonlight, where deep tones of teal and midnight blue merge with dense vegetation dominated by large, protective leaves.
The painting, strictly figurative yet far from the cold rules of hyperrealism, enhances the textured rendering of the skin: a stark white, luminous, and silken surface that rejects the notion of bodily death to become pure light.
The emotional and political core of the artwork lies in her gaze.
Ophelia’s eyes are open – one brown and one blue, an explicit and intimate tribute to David Bowie’s heterochromia and the alienation encapsulated in – revealing a dreamy, dissociated state.
She is neither a surrendered victim nor a lifeless body.
Her dissociation becomes a conscious act of escape and a profound critique of patriarchy: a psychological withdrawal from an oppressive reality that attempted to consume her.
While the doubt regarding her ultimate fate remains suspended, her mind is clearly elsewhere—free and intangible.
_____________________________

Ophelia荔ళ్ల l’iconografia classica del dramma shakespeariano per trasformare la protagonista in un simbolo di resistenza silenziosa.
Immersa al centro della composizione, la figura è avvolta da un suggestivo notturno al chiaro di luna, dove le tonalità profonde del verde petrolio e del blu notte si fondono con una vegetazione fitta e dominata da grandi foglie protettive.
La pittura, rigorosamente figurativa ma lontana dalle fredde regole dell'iperrealismo, esalta la resa materica della pelle: una superficie bianchissima, lucente e setosa, che respinge l'idea della morte corporale per farsi pura luce.
Il fulcro emotivo e politico dell’opera risiede nello sguardo.
Ophelia ha gli occhi aperti – uno marrone e uno azzurro, un esplicito e intimo tributo all'eterocromia di David Bowie e all'alienazione racchiusa in – che rivelano uno stato sognante e dissociato.
Non è una vittima arresa, né un corpo esanime.
La sua dissociazione diventa un atto di fuga consapevole e una profonda critica al patriarcato: l'allontanamento psicologico da una realtà oppressiva che ha tentato di consumarla.
Il dubbio sulla sua fine rimane sospeso, ma la sua mente è chiaramente altrove, libera e intangibile.

Portrait

Flore

Figuratif

Féminité

Amour

Rivière

Romantisme

vert

Lucia Simone, Ophelia

Lucia Simone

Italie  • 1986

Présentation

Lucia Simone was born in 1986 in Perugia. She lives and works in Rome. She graduated from the Academy of Fine Arts in Rome, attending the four-year course in Painting and then the two-year course in Performing Arts and Disciplines. He worked as a painting assistant at the chair of Gianfranco Notargiacomo. He is present in the VI Repertoire of Italian Engravers, published by Faenza. He has received several awards including an artist residency on the occasion of the FIG Bilbao International Prize, he has exhibited in several museums including Macro La Pelanda (RM), Austrian Museum of Folk Life and Folk Art and in prestigious places such as Palazzo Montecitorio and Palazzo Vecchio on the occasion of the Florence Prize. Of particular note was Uncanny at Interzone Galleria (RM) where the relevance to themes with a strong emotional impact prevailed. This research is repeated in Realtà Consumata at Fondamenta Gallery with an in-depth analysis in the Inside Art magazine of December 2018. In December 2019 he carried out an artist 1 / 6residency in one of the ateliers of the MACRO ASILO (Museo Arte Contemporanea Roma). 

At the end of 2021 he exhibited his works at Iaga Contemporary Art (Romania) with a solo show entitled Signal Lost curated by Chiara Canali. In 2023 she presents two solo exhibitions curated by Saveria Colosimo: Mad World , at the Gallerati Gallery in Rome and Last Flowers at the former Santa Maria della Misericordia hospital in Perugia. She was recently selected as a finalist for the Luigi Candiani Prize organized by the SAC (Spazio Arte Contemporanea), and for the Arte Laguna Prize whose collective exhibition was held in 2023 at the Arsenale of Venice. In the same year, she exhibited at the La Nuvola Arte Contemporanea gallery in Rome, in a group show curated by Alice Falsaperla in collaboration with Amnesty International. The work Decadent Beauty was selected for an advertising campaign and exhibited throughout the month of July on the big screen in the cities of Eindhoven, Rotterdam, New York and Los Angeles. During the first week of January 2024 Exibart Prize chose his work to broadcast it on the screens of Grandi Stazioni Italiane. In the same year she was selected as a finalist for the second edition of the E.ART.H. Award, whose exhibition took place at Eataly Art House from 10 April to 31 August. 

In 2025, she published a commissioned illustration in the French magazine Le Monde, and she was a finalist for the Combat Prize for the graphics section and for the Mestre Prize of Painting.

 

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