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Voir les yeux fermés - sans titre #12
Fabrice Domenet
Photography - 90 x 90 cm Photography - 35.4 x 35.4 inch
$2,775
Rust #4
Anthony Lanneretonne
Photography - 70 x 50 x 0.4 cm Photography - 27.6 x 19.7 x 0.2 inch
$549
Sadhus sur les ghats de Bénarès. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,110
Joueurs de cartes pendant le Holi Festival. Rajasthan. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,441
David Coulthard. MacLaren. Formule 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,110
Rust #3
Anthony Lanneretonne
Photography - 70 x 50 x 0.4 cm Photography - 27.6 x 19.7 x 0.2 inch
$549
Stone Faces #2
Anthony Lanneretonne
Photography - 70 x 50 x 0.4 cm Photography - 27.6 x 19.7 x 0.2 inch
$505
Stone Faces #1
Anthony Lanneretonne
Photography - 70 x 50 x 0.4 cm Photography - 27.6 x 19.7 x 0.2 inch
$505
Ki no Kioku, Memory of tree, Ibuta-ji, Matsusaka city, Mie prefecture, Japan, 2023-11, 12
Teddy Peix
Photography - 22 x 22 x 0.01 cm Photography - 8.7 x 8.7 x 0 inch
$316
Ki no kioku (Memory of tree), Kumano Kodo Akagi-Goe-2023-09_10
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$316
Ki no kioku (Memory of tree), Takiharanomiya_jinja_Taki-Mie_2023-08_09
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$316
Ki no kioku (Memory of tree), Kumano Kodo Akagi-Goe-2023-09_04
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$316
Ki no kioku (Memory of tree), Kumano Kodo Akagi-Goe-2023-09_04
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$316
Ki no kioku (Memory of tree), Tayun-ji_Mie_2023-04_02
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$316
Ki no kioku (Memory of tree), Takiharanomiya_jinja_Taki-Mie_2023-08_10
Teddy Peix
Photography - 22 x 22 x 0.1 cm Photography - 8.7 x 8.7 x 0 inch
$316
Du bout du monde, Auvergne 02, Lac de la Godivelle
Teddy Peix
Photography - 22 x 22 x 0.04 cm Photography - 8.7 x 8.7 x 0 inch
$300
La Densité du regard. Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,554
Champagne pour Ayrton Senna. Brésil 92
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,554
Réflexion avant course. Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,554
Regard Ayrton Senna
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,554
Préparatif Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,665
Du bout du monde 01 - Sancy (Auvergne)
Teddy Peix
Photography - 22 x 22 x 0.04 cm Photography - 8.7 x 8.7 x 0 inch
$300
La Montagne Imaginaire
Jérome Obiols
Photography - 70 x 186 x 0.1 cm Photography - 27.6 x 73.2 x 0 inch
$3,885
La Guerre des Mondes
Jérome Obiols
Photography - 80 x 114 x 0.1 cm Photography - 31.5 x 44.9 x 0 inch
$3,385
24h du Mans 1970-Littéralement porté en triomphe, l’ingénieur Porsche Helmut Flegl, 14 juin 1970.
Jacques Violet
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$388
24h du Mans 1970-Jean-Pierre Beltoise ou H. Pescarolo au volant de leur MS 660 n°31, 13 juin 1970.
Jacques Violet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$388
De Myrha à Babylone - Duo Jeanne 1
Valérie Donzelli
Photography - 35 x 35 cm Photography - 13.8 x 13.8 inch
$444
Paris 13ème "Olympiades Vibes N°2" (M)
Papa Mesk
Photography - 80 x 45 x 1 cm Photography - 31.5 x 17.7 x 0.4 inch
$888
Paris 13 ème "Olympiades Vibes N°1"
Papa Mesk
Photography - 80 x 45 x 1 cm Photography - 31.5 x 17.7 x 0.4 inch
$888
Paris 13 ème Olympiades Vibes N°3
Papa Mesk
Photography - 80 x 45 x 1 cm Photography - 31.5 x 17.7 x 0.4 inch
$888
Time stopped. - limited edition of 21
Valentin Zaharia
Photography - 60 x 90 x 0.1 cm Photography - 23.6 x 35.4 x 0 inch
$438
Série des mètres
Arthur Di Nunzio
Photography - 100 x 100 x 1 cm Photography - 39.4 x 39.4 x 0.4 inch
$1,387
Cafe de Flore (Ravelstein)
Richard Dunkley
Photography - 61 x 50.8 x 2.5 cm Photography - 24 x 20 x 1 inch
$630
Plage de l'Île-Grande /
Didier Cormillot
Photography - 60 x 80 cm Photography - 23.6 x 31.5 inch
$255
Il jouait du piano debout...dans l'ascenseur
Pierre Gély-Fort
Photography - 20 x 30 x 0.1 cm Photography - 7.9 x 11.8 x 0 inch
$388
Esprit de la nature
Valérie Abadie
Fine Art Drawings - 18 x 26 x 0.1 cm Fine Art Drawings - 7.1 x 10.2 x 0 inch
$277
Deux hommes et un criquet
Valérie Abadie
Fine Art Drawings - 18 x 26 x 1 cm Fine Art Drawings - 7.1 x 10.2 x 0.4 inch
$211
1 km² (livre d'artiste)
Luc Médrinal
Photography - 18 x 18 x 2.5 cm Photography - 7.1 x 7.1 x 1 inch
$366
Elur eta Sua (livre d'artiste)
Luc Médrinal
Photography - 18 x 18 x 0.5 cm Photography - 7.1 x 7.1 x 0.2 inch
$222
Behind Her Back
Jordana Ozier Lafontaine
Photography - 30 x 20 cm Photography - 11.8 x 7.9 inch
$289
Les chats de Schrödinger (9)
Arthur Di Nunzio
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$183
Michael Schumacher Imola et deux roues en l'air
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,665
Ayrton Senna Victoire au GP du Brésil 1992
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
$1,665
Michael Schumacher et Eddy Irvine sur Ferrari Monaco
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,554
Kimi Raikkonen MacLaren
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
$1,554
Voilier de tradition. Brest. Voile
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
$1,554
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!