One Moment Shapes
Bruxelles From May 11, 2021 to June 20, 2021
Presentation
“One moment Shapes” is the last project of the Italian artist Ruggiero Maria Rutigliano.
Rutigliano uses his own technique. His works are picto-sculptures made on cotton paper carefully sectioned and applied in wooden blocks. Ruggiero uses building beams. He cut them in blocks, files and polishes them. Also, he put a number to preserve a sequence of shades.
On the other side, the artist realize an oil painting on cotton paper Fabriano. The painting is cut depending of the inclination and the shape of the wooden blocks. This process requires high precision. Using glue Vinavil 59 he paste the cut painting on each wooden block (the process takes two days to be completed). Finally the blocks are assembled with glue or wire ; the personal technique is really meticulous and allows to avoid deformations or other imperfections.
With this personal technique, he achieves an anamorphic image of the pictorial or graphic part, through the sculptural part, which he uses to express his disagreement with the triviality of the “accepted” by showing lights that sometimes illuminate and others that dazzle; protective shadows and shadows that forsake.
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Rutigliano uses his own technique. His works are picto-sculptures made on cotton paper carefully sectioned and applied in wooden blocks. Ruggiero uses building beams. He cut them in blocks, files and polishes them. Also, he put a number to preserve a sequence of shades.
On the other side, the artist realize an oil painting on cotton paper Fabriano. The painting is cut depending of the inclination and the shape of the wooden blocks. This process requires high precision. Using glue Vinavil 59 he paste the cut painting on each wooden block (the process takes two days to be completed). Finally the blocks are assembled with glue or wire ; the personal technique is really meticulous and allows to avoid deformations or other imperfections.
With this personal technique, he achieves an anamorphic image of the pictorial or graphic part, through the sculptural part, which he uses to express his disagreement with the triviality of the “accepted” by showing lights that sometimes illuminate and others that dazzle; protective shadows and shadows that forsake.
Address
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803, Chaussée de Louvain
1140, Bruxelles
Belgium
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