Abstract Closeups
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Stronger
Richard Gaylon
Photography - 114.3 x 76.2 x 0.254 cm Photography - 45 x 30 x 0.1 inch
€2,810
Megan's Demons
Joey Tranchina
Photography - 100 x 150 x 0.1 cm Photography - 39.4 x 59.1 x 0 inch
€2,500
Stone Series 1
GK Austin II
Photography - 76.2 x 50.8 x 2.5 cm Photography - 30 x 20 x 1 inch
€3,669
I think the cops traced it back to grimsby. (6)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
L'horizon des événements N°3
Leah Desmousseaux
Photography - 36 x 55 cm Photography - 14.2 x 21.7 inch
€600
Cyclogramme
Andreas Müller-Pohle
Photography - 80 x 60 cm Photography - 31.5 x 23.6 inch
€8,000 €6,400
Fissure / Traveler Collection
Richard Gaylon
Photography - 114.3 x 76.2 x 0.254 cm Photography - 45 x 30 x 0.1 inch
€2,810
Evolution
Richard Gaylon
Photography - 114.3 x 76.2 x 0.254 cm Photography - 45 x 30 x 0.1 inch
€2,810
Volumes - Palm Blu Collection
Richard Gaylon
Photography - 114.3 x 76.2 x 0.254 cm Photography - 45 x 30 x 0.1 inch
€2,810
Ace of Spades
Richard Gaylon
Photography - 114.3 x 76.2 x 0.254 cm Photography - 45 x 30 x 0.1 inch
€2,810
Waves, Storm, and Rocks
GK Austin II
Photography - 76.2 x 101.6 x 2.5 cm Photography - 30 x 40 x 1 inch
€3,669
5:5, you are still ok. (1)
Vianca Reinig
Photography - 108 x 100 cm Photography - 42.5 x 39.4 inch
€3,300
34° 33’ 15" N 38° 16’ 00" E
Leah Desmousseaux
Photography - 110 x 170 x 4 cm Photography - 43.3 x 66.9 x 1.6 inch
€3,500
I think the cops traced it back to grimsby. (7)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
I think the cops traced it back to grimsby. (5)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
I think the cops traced it back to grimsby. (2)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
I think the cops traced it back to grimsby. (4)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
I think the cops traced it back to grimsby. (3)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
I think the cops traced it back to grimsby. (1)
Vianca Reinig
Photography - 150 x 120 cm Photography - 59.1 x 47.2 inch
€4,000
In many ways, i prefer my own company. (3)
Vianca Reinig
Photography - 140 x 100 x 5 cm Photography - 55.1 x 39.4 x 2 inch
€4,000
In many ways, i prefer my own company. (4)
Vianca Reinig
Photography - 140 x 100 x 3 cm Photography - 55.1 x 39.4 x 1.2 inch
€3,700
In many ways, i prefer my own company. (5)
Vianca Reinig
Photography - 140 x 100 x 3 cm Photography - 55.1 x 39.4 x 1.2 inch
€3,700
In many ways, i prefer my own company. (2)
Vianca Reinig
Photography - 140 x 100 cm Photography - 55.1 x 39.4 inch
€3,700
In many ways, i prefer my own company. (1)
Vianca Reinig
Photography - 140 x 100 cm Photography - 55.1 x 39.4 inch
€3,700
5:5, you are still ok. (5)
Vianca Reinig
Photography - 108 x 100 cm Photography - 42.5 x 39.4 inch
€3,300
5:5, you are still ok. (4)
Vianca Reinig
Photography - 108 x 100 cm Photography - 42.5 x 39.4 inch
€3,300
5:5, you are still ok. (3)
Vianca Reinig
Photography - 108 x 100 cm Photography - 42.5 x 39.4 inch
€3,300
5:5, you are still ok. (2)
Vianca Reinig
Photography - 108 x 100 cm Photography - 42.5 x 39.4 inch
€3,300
Cyclogramme
Andreas Müller-Pohle
Photography - 80 x 60 cm Photography - 31.5 x 23.6 inch
€8,000 €6,400
Cyclogramme
Andreas Müller-Pohle
Photography - 80 x 60 cm Photography - 31.5 x 23.6 inch
€8,000 €6,000
Partitions numériques (d'après Nicéphore Niépce)
Andreas Müller-Pohle
Photography - 264 x 132 cm Photography - 103.9 x 52 inch
€12,000
Feuilles enluminées - Série "Le feu sacré de Prométhée"
Marie-Fa Lazzari
Photography - 42 x 30 x 1 cm Photography - 16.5 x 11.8 x 0.4 inch
€350
Embrasement - Série "Le feu sacré de Prométhée"
Marie-Fa Lazzari
Photography - 30 x 42 x 1 cm Photography - 11.8 x 16.5 x 0.4 inch
€350
Profondeur insondée
Marie-Fa Lazzari
Photography - 42 x 30 x 1 cm Photography - 16.5 x 11.8 x 0.4 inch
€320
Au pas de l'éphémère
Marie-Fa Lazzari
Photography - 48 x 33 x 1 cm Photography - 18.9 x 13 x 0.4 inch
€475
Abstract Closeups
Whether it is a deep-dive into a series of process studies or broadening the scope of vision, the abstract closeup, (or also in some cases, macro photography) reminds the viewer that a different perspective doesn’t always lie beyond the frame. Microscopes have been placed under the lens for over a hundred years with Frank Percy Smith creating one of the first films To Demonstrate How Spiders Fly, produced in 1909, zooming in on a tiny creature to reveal a huge new world. What happens to patterns, figures, the subject or geometrical forms when the perspective of the observer's viewpoint has changed? Why shoot at a flower and not zoom in and capture the pollen too? This controlled gaze is firmly in the hands of the artist, often forsaking realism or recognition of the subject. In turn, a whole new composition is found, hidden within a larger setting. In Artsper’s own selection of work, the artists Collective and Vianca Reinig focus on just that, studying the many possibilities of interaction between colors and patterns. The closeup enables Reinig to add a different set of emotions, moods, and depth to the closeup’s newly formed surroundings. This conversion from viewing three-dimensional objects, into two-dimensional photographs creates optical illusions of vibrancy, of movement and holds a firm place in the story of abstract art.