Gestural abstraction
Save your search and find it in your favorites
Save your search to find it quickly
Saved search
Your search is accessible from the favorites tab > My favorite searches
Unsaved search
A problem occurred
Abstract R 2302
Alex Senchenko
Painting - 150 x 150 x 0.01 cm Painting - 59.1 x 59.1 x 0 inch
$1,989
Abstract R 2301
Alex Senchenko
Painting - 150 x 150 x 0.01 cm Painting - 59.1 x 59.1 x 0 inch
$1,989
Fogy New York city
Nadine Antoniuk
Painting - 100 x 205 x 0.1 cm Painting - 39.4 x 80.7 x 0 inch
$1,726
Plus fort que tout
Rita Vandenherrewegen
Painting - 30 x 30 x 2 cm Painting - 11.8 x 11.8 x 0.8 inch
$404
Coral's composition
Victoria Horkan
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$4,242
Winning freedom !
Gaëlle Wagner
Painting - 100 x 100 x 4.5 cm Painting - 39.4 x 39.4 x 1.8 inch
$2,691
Summertime at Cawthorne Park
Victoria Horkan
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$4,773
Rainbows and Halo's
Victoria Horkan
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$4,773 $3,579
Els arbres ploren II
Tatiana Blanqué
Painting - 20 x 30 x 2 cm Painting - 7.9 x 11.8 x 0.8 inch
$504
Five Summer Stories
Gaëlle Wagner
Painting - 165 x 130 x 3 cm Painting - 65 x 51.2 x 1.2 inch
$4,372
A way to infinity 15
Ovidiu Kloska
Painting - 90 x 130 x 3 cm Painting - 35.4 x 51.2 x 1.2 inch
$1,682
Contemporary twenties - III
Sophie Mangelsen
Painting - 100 x 120 x 2.2 cm Painting - 39.4 x 47.2 x 0.9 inch
$964 $868
Berlin summer
Sophie Mangelsen
Painting - 120 x 140 x 2 cm Painting - 47.2 x 55.1 x 0.8 inch
$1,570 $1,491
Mono - Disjointed reality #1
Kris Haas
Painting - 76.2 x 55.88 x 0.25 cm Painting - 30 x 22 x 0.1 inch
$1,962
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."