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Bronze Masque, Circa 2022

by Ohad Ben-Ayala

Sculpture : bronze, clay, wax, plaster, bronze patina, Silicone, Patina 29 x 15 x 13 cm


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About the artwork


Numbered and limited to 30 copies

1 copy available


Hand-signed by artist


Sold with certificate of Authenticity from the artist

Invoice from the gallery


Sculpture: bronze, clay, wax, plaster, bronze patina, Silicone, Patina

Dimensions cm inch

29 x 15 x 13 cm Height x Width x Depth


The sculpture can be displayed outdoors




Human body





Artwork sold in perfect condition

Artwork location: Israel

***The sculpture is currently in London, U.K.
The work participated in FACE2023, The Society of Portrait Sculptors 59th Exhibition.
As the sculpture is still in the U.K, it will be shipped from London directly***

This cast is numbered 3.
Bronze via sand-casting.
It's possible to commission the work in other materials as well as other forms of cropping and base-attachment.

This work is a fragment from a lager project modeled after nature. The subject of the portrait is a full-time professional artist model living in Florence.
For details about the full portrait bust please inquire.

Signature hand-engraved by artist at the base.
Artist reserve the right to make other casts in any other materials.
Ships in a wooden box (listing weight includes the box weight).

Please inquire for accurate shipping costs and timetables
Feel free to ask for more photos, information about the work etc.

*The term "Series" indicates that while no more than 30 casts will be produced (in any alloy/metal), it's also possible that the series will be terminated sooner, with the total number of copies being substantially lower.
Please inquire for accurate shipping costs and timetables
Feel free to ask for more photos, information about the work etc.
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About the seller

Professional art gallery • Israel

Vetted Seller

Collector’s Guide

Ohad Ben-Ayala

Ohad Ben-Ayala

Israel  • 1981

Ohad Ben-Ayala, b.1981 .

Lives and works in his studio in Tel-Aviv.

The sculptures presented on this profile reflect a decade of exploring bronze and other non ferrous metals as sculptural materials.

All of the works shown here at the moment were roughed out and modeled first (from nature or an invention) using another material – mostly water based clay or soft bee-wax. 

Either way, more than one aspect of each work was always left unfinished, so it could be later resolved in the final metal it was cast in, and thus giving the metal more meaning than just a casting material.

This method was meant to find some middle way between the desire to create a single, unique and individual art piece – and at the same time develop multiple other versions, with all the possibilities offered by casting and re-casting each sculpture in different materials.

Traditional methods of chasing and repousse were combined with electric and pneumatic grinding, polishing, welding and soldering.  

Various bronze alloys, aluminum and sometimes brass were cast using both sand casting and lost wax casting methods. With the founder's role limited to pouring the molten metal - Each sculpture is resolved and finished by the artist's own hands.

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