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Un été outre-mer - série Les Dames de la côte
Françoise Lucq
Painting - 40 x 60 x 1 cm Painting - 15.7 x 23.6 x 0.4 inch
$1,101
Luna tra i rami
Antonino Puliafico
Painting - 120 x 140 x 0.1 cm Painting - 47.2 x 55.1 x 0 inch
$3,202
Experience d'Icare
Akira Inumaru
Photography - 30 x 30 x 0.1 cm Photography - 11.8 x 11.8 x 0 inch
$674
Experience d'Icare
Akira Inumaru
Photography - 30 x 30 x 0.1 cm Photography - 11.8 x 11.8 x 0 inch
$674
Experience d'Icare
Akira Inumaru
Photography - 30 x 30 x 0.1 cm Photography - 11.8 x 11.8 x 0 inch
$674
ES 12 Empire du signe
Pierre-Marc de Biasi
Print - 83 x 76 x 1 cm Print - 32.7 x 29.9 x 0.4 inch
$1,124
Dans les champs, en fin d´après-midi.
José Saboia
Painting - 50 x 60 x 2 cm Painting - 19.7 x 23.6 x 0.8 inch
$1,798
Mémoire du temps n°15
Anne-Marie Mary
Painting - 61 x 50 x 2 cm Painting - 24 x 19.7 x 0.8 inch
$876
Love of the rink
Antoine Rose
Photography - 88 x 88 x 1 cm Photography - 34.6 x 34.6 x 0.4 inch
$7,079
Mémoire du temps n°55
Anne-Marie Mary
Painting - 40 x 30 x 2 cm Painting - 15.7 x 11.8 x 0.8 inch
$663
Sans titre #2 - Série Déchirée, détruite mais libre
Sanaa Abouayoub
Painting - 90 x 60 x 2 cm Painting - 35.4 x 23.6 x 0.8 inch
$2,023
Banksy X Jumpman Air Jordan OW Blue/Orange
Ske
Sculpture - 37 x 37 x 6 cm Sculpture - 14.6 x 14.6 x 2.4 inch
$787
Pavots - série Végétal
Jackie Spaeter
Painting - 60 x 50 x 2 cm Painting - 23.6 x 19.7 x 0.8 inch
$640
Pompons - série Végétal
Jackie Spaeter
Painting - 60 x 50 x 2 cm Painting - 23.6 x 19.7 x 0.8 inch
$640
Sarah and the angels (from children’s bible)
Tekla Aleksieva
Painting - 30 x 45 x 0.2 cm Painting - 11.8 x 17.7 x 0.1 inch
$1,315
Franclisa
Gbemileke Blessing Adegboro
Painting - 91.9 x 91.9 x 2.5 cm Painting - 36.2 x 36.2 x 1 inch
$1,800
Sans titre (Bonnes fées)
Christos Kalfas
Fine Art Drawings - 79 x 59 cm Fine Art Drawings - 31.1 x 23.2 inch
$2,023
The layers get to me
Michael Alan
Fine Art Drawings - 46.7 x 34.3 x 0.1 cm Fine Art Drawings - 18.4 x 13.5 x 0.04 inch
$1,348
Cloud (Planet)
Robbie Cornelissen
Fine Art Drawings - 30.5 x 41.9 x 0.3 cm Fine Art Drawings - 12 x 16.5 x 0.1 inch
$1,461
Morning Sunbathing
Alexander Levich
Painting - 45 x 35 x 2 cm Painting - 17.7 x 13.8 x 0.8 inch
$978
Dripping SFDP11 - série Abstraction
Sébastien Hauduc
Painting - 61 x 50 x 2 cm Painting - 24 x 19.7 x 0.8 inch
$640
Hiver sur le canal du Midi
André Lac
Painting - 54 x 65 x 2 cm Painting - 21.3 x 25.6 x 0.8 inch
$1,730
Cheval fantôme - série animaux
Henry Ausloos
Photography - 70 x 70 x 0.1 cm Photography - 27.6 x 27.6 x 0 inch
$1,966
Gratitudes - série silhouette de femme
Francine Cordier
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$1,472
Noir vertige (Vortex 26)
Philippe Huart
Painting - 30 x 30 x 2.5 cm Painting - 11.8 x 11.8 x 1 inch
$2,809
Village Abstrait
Brigitte Thonhauser-Merk
Painting - 60 x 80 x 2 cm Painting - 23.6 x 31.5 x 0.8 inch
$1,798
La Chaise Jaune
Brigitte Thonhauser-Merk
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,910
La Chaise Rose
Brigitte Thonhauser-Merk
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,910
La Chaise Turquoise
Brigitte Thonhauser-Merk
Painting - 70 x 60 x 2 cm Painting - 27.6 x 23.6 x 0.8 inch
$1,798
La Chaise À Bascule
Brigitte Thonhauser-Merk
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,910
La Chaise Bleue
Brigitte Thonhauser-Merk
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,910
Teddy Love Pearl White & Gold
Nicolas Krauss
Sculpture - 33 x 28 x 15 cm Sculpture - 13 x 11 x 5.9 inch
$4,382
Farmhouse with Chickens
Michael Hill
Painting - 60 x 60 x 4 cm Painting - 23.6 x 23.6 x 1.6 inch
$1,569
Intimate explosion
Michael Alan
Fine Art Drawings - 33 x 27.9 x 0.1 cm Fine Art Drawings - 13 x 11 x 0.04 inch
$3,034
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!