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Hollypop 4
Iva Ivanova
Fine Art Drawings - 29 x 21 x 0.1 cm Fine Art Drawings - 11.4 x 8.3 x 0 inch
$281
Lucilla Table Lamp
Gianfranco Frattini
Design - 55 x 49 x 49 cm Design - 21.7 x 19.3 x 19.3 inch
$2,809
À travers mes yeux comme à travers une fenêtre (11)
Karine Giboulo
Sculpture - 25.4 x 16 x 10.2 cm Sculpture - 10 x 6.3 x 4 inch
$3,146
Batman feat Hercules - Handmade sculpture for home decor
Dervis Akdemir
Sculpture - 40 x 25 x 15 cm Sculpture - 15.7 x 9.8 x 5.9 inch
$458
Golden streak Artemis
Dervis Akdemir
Sculpture - 32 x 18 x 14 cm Sculpture - 12.6 x 7.1 x 5.5 inch
$262
The dark side of Athena - Handmade sculpture for home decor
Dervis Akdemir
Sculpture - 55 x 37 x 20 cm Sculpture - 21.7 x 14.6 x 7.9 inch
$327
Medusas’ protective gaze
Dervis Akdemir
Sculpture - 31 x 23 x 15 cm Sculpture - 12.2 x 9.1 x 5.9 inch
$262
Land Rover - Surf's up
Nick Veasey
Photography - 61 x 118 x 1 cm Photography - 24 x 46.5 x 0.4 inch
$15,731
Crépuscule des Loups
Christine Pultz
Painting - 73 x 92 x 3 cm Painting - 28.7 x 36.2 x 1.2 inch
$6,742
Sans Titre 18 - Ref BDNW9160
Jean-Pierre Stora
Painting - 11 x 29 cm Painting - 4.3 x 11.4 inch
$326
Sans Titre 17 - Ref BDNW9159
Jean-Pierre Stora
Painting - 16 x 32 cm Painting - 6.3 x 12.6 inch
$506
Sans Titre 4 - Ref BDNW9146
Jean-Pierre Stora
Fine Art Drawings - 30 x 18 cm Fine Art Drawings - 11.8 x 7.1 inch
$393
Sans Titre 9 - Ref BDNW9151
Jean-Pierre Stora
Fine Art Drawings - 16 x 31 cm Fine Art Drawings - 6.3 x 12.2 inch
$506
Sans Titre 15 - Ref BDNW9157
Jean-Pierre Stora
Fine Art Drawings - 16 x 21 cm Fine Art Drawings - 6.3 x 8.3 inch
$326
Temporal Disorder - 17
Radu Corneliu Sarion
Photography - 40 x 50 x 0.2 cm Photography - 15.7 x 19.7 x 0.1 inch
$562
Sans Titre (Ma pensée comme une comédie)
Christos Kalfas
Fine Art Drawings - 103 x 67 x 0.2 cm Fine Art Drawings - 40.6 x 26.4 x 0.1 inch
$2,809
Dame promenant son chien
Catherine Giroud
Sculpture - 55 x 25 x 30 cm Sculpture - 21.7 x 9.8 x 11.8 inch
$955
Esprits d'Amour
Emilie Teillaud
Painting - 162 x 114 x 3 cm Painting - 63.8 x 44.9 x 1.2 inch
$5,057
La passerelle
Georges Laporte
Fine Art Drawings - 37 x 23.5 cm Fine Art Drawings - 14.6 x 9.3 inch
$393
La chapelle
Georges Laporte
Fine Art Drawings - 35 x 26 cm Fine Art Drawings - 13.8 x 10.2 inch
$393
Flou sur Ayrton Senna McLaren
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
$1,686
Doucement elles se réveillent
Dominique Jullien
Photography - 20 x 20 x 1 cm Photography - 7.9 x 7.9 x 0.4 inch
$393 $354
Mon amie la brume
Dominique Jullien
Photography - 13 x 30 x 1 cm Photography - 5.1 x 11.8 x 0.4 inch
$393
Pêcheur de brumes
Dominique Jullien
Photography - 13 x 30 x 1 cm Photography - 5.1 x 11.8 x 0.4 inch
$393
Architecture et goélands
Lionel le Jeune
Photography - 60 x 60 x 0.4 cm Photography - 23.6 x 23.6 x 0.2 inch
$730
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,809
Série : Berlin nord-est / rues
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,809
Série : Berlin nord-est / arrière-cours: Buanderie dans la cour arrière
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,809
Série : Berlin nord-est / arrière-cours - Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,809
Série : Berlin nord-est / arrière-cours - Kastanienallee
Manfred Paul
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$2,809
Stone the Crows
Izabela Apananska
Painting - 90 x 130 x 2 cm Painting - 35.4 x 51.2 x 0.8 inch
$4,270
Untitled, in reference to Rene Magritte
Izabela Apananska
Painting - 80 x 115 x 2 cm Painting - 31.5 x 45.3 x 0.8 inch
$3,371
Pete Townshend – Smoking Joint, Twickenham, London, 1977
David Steen
Photography - 111 x 78 x 0.01 cm Photography - 43.7 x 30.7 x 0 inch
$3,236
Le sourire du Joker
Philippe Viejo
Painting - 90 x 90 x 0.5 cm Painting - 35.4 x 35.4 x 0.2 inch
$4,045
Der duft der kurkuma
Sasa Makarova
Painting - 100 x 120 x 5 cm Painting - 39.4 x 47.2 x 2 inch
$15,731
Banksyskull and la linéa love
VL.
Painting - 21 x 29 x 1 cm Painting - 8.3 x 11.4 x 0.4 inch
$107 $97
Untitled I (blue)
Pinchas (Maryan) Burstein
Print - 62 x 53.1 x 0 cm Print - 24.4 x 20.9 x 0.01 inch
$2,200
Vanity tribute to Andy
Ron English
Sculpture - 68 x 54 x 45 cm Sculpture - 26.8 x 21.3 x 17.7 inch
$15,170
2 Moulin Pont aven 22
Mario Domenicale
Painting - 25 x 35 x 0.3 cm Painting - 9.8 x 13.8 x 0.1 inch
$202
Fight AIDS (after Keith Haring)
Keith Haring
Design - 80.5 x 20.5 x 1.2 cm Design - 31.7 x 8.1 x 0.5 inch
$281
Crack Down (after Keith Haring)
Keith Haring
Design - 80.5 x 20.5 x 1.2 cm Design - 31.7 x 8.1 x 0.5 inch
$281
Personaggio dell'immaginario (2)
Arturo Carmassi
Print - 70 x 50 x 0.1 cm Print - 27.6 x 19.7 x 0 inch
$146
Floating abstraction n°9
Ellya Zilsky
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$2,584
Urban Landscape Series #6
Lana Matsuyama
Painting - 30 x 25 x 4 cm Painting - 11.8 x 9.8 x 1.6 inch
$327
A Dog on the Beach
Ventzislav Dikov
Painting - 80 x 120 x 2 cm Painting - 31.5 x 47.2 x 0.8 inch
$2,922
Portrait of Giuseppe Ungaretti
Pericle Fazzini
Print - 50.5 x 39.5 x 0.1 cm Print - 19.9 x 15.6 x 0 inch
$539
Untitled 34 from the series of INtheVISIBLE
Arslan Sükan
Photography - 50 x 70 x 0.1 cm Photography - 19.7 x 27.6 x 0 inch
$2,500
Untitled 6 from the series of INtheVISIBLE
Arslan Sükan
Photography - 180 x 250 x 0.1 cm Photography - 70.9 x 98.4 x 0 inch
$5,000
Untitled 5 from the series of INtheVISIBLE
Arslan Sükan
Photography - 170 x 255 x 0.1 cm Photography - 66.9 x 100.4 x 0 inch
$5,000
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!