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The Broken Chain
Juan Pablo Castro
Photography - 61 x 91.4 x 0.3 cm Photography - 24 x 36 x 0.1 inch
€2,897
Don't Tell Mamma #4
Koray Erkaya
Photography - 119.4 x 81.3 x 0.3 cm Photography - 47 x 32 x 0.1 inch
€4,828
Invacuo Project #33
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
€4,732
Invacuo Project #29
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
€4,732
Invacuo Project #26
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
€4,732
Invacuo Project #23
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
€4,732
Invacuo Project #22
Koray Erkaya
Photography - 119.4 x 180.3 x 0.3 cm Photography - 47 x 71 x 0.1 inch
€4,732
Invacuo Project #21
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
€4,732
Invacuo Project #19
Koray Erkaya
Photography - 81.3 x 119.4 x 0.3 cm Photography - 32 x 47 x 0.1 inch
€4,732
Le Marais de Carélie, Finlande
Mikaël Lafontan
Photography - 120 x 150 cm Photography - 47.2 x 59.1 inch
€4,450
Nuances tribal
Jonathan Pradillon
Painting - 29 x 29 x 3.5 cm Painting - 11.4 x 11.4 x 1.4 inch
€130
Pow wow. Indiens. Amerique du nord.
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€1,300
Sadhus sur les ghats de Varanassi. Inde 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Sadhus sur les ghats de Varanassi. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Sadhus sur les ghats de Bénarès. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,000
Touareg. Ouarzazate. Maroc
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Papouasie Nouvelle Guinée
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€1,300
Enfants pendant le rite initiatique. Tanzanie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Joueurs de cartes pendant le Holi Festival. Rajasthan. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,298
Femme Kényane. Kenya. Afrique
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Enfants Kaeo. Vallée de L'Omo. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Enfants Karo. Ethiopie. Vallée de L'Omo
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Femme Hamer. Marché. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Femmes Hamer au marché. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Femmes Hamer. Ethiopie
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,298
Lire dans les mains. Inde du nord
Dominique Leroy
Photography - 90 x 70 x 2 cm Photography - 35.4 x 27.6 x 0.8 inch
€1,300
Femme voilée dans le Bengale occidental. Inde
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Jeune Fille Indienne du Nord de l'Inde
Dominique Leroy
Photography - 70 x 89.99 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
Pow wow. Indiens. Amérique du nord
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,200
Schumi. Le baron rouge en pole à Monaco. Michael Schumacher
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,500
Ayrton Senna. Brésil. Sao Paulo 1992
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,500
Concentration du pilote Mika Hakkinen. MacLaren
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,300
David Coulthard. MacLaren. Formule 1
Dominique Leroy
Photography - 70 x 90 x 2 cm Photography - 27.6 x 35.4 x 0.8 inch
€1,000
Underworld (1b)
Robbie Cornelissen
Fine Art Drawings - 27 x 35 cm Fine Art Drawings - 10.6 x 13.8 inch
€3,200
Untitled XXXIX. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XXXVII. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XXXIII. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XXXII. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XXX. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XXIX. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XXV. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Wrapped Series Untitled #4
Robert Mack
Photography - 96.5 x 45.7 x 3.8 cm Photography - 38 x 18 x 1.5 inch
€5,794
Untitled XXI. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XX. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XIX. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XVII. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled XV. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Chestnut Triptych
Matthias Conrad
Photography - 60 x 180 x 3 cm Photography - 23.6 x 70.9 x 1.2 inch
€2,750
Untitled XXXIV. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 100 x 100 x 0.3 cm Photography - 39.37 x 39.37 x 0.1 inch
€2,656
Untitled XXVII. From the series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 100 x 100 x 0.3 cm Photography - 39.37 x 39.37 x 0.1 inch
€2,656
Untitled XXVI. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 100 x 100 x 0.3 cm Photography - 39.37 x 39.37 x 0.1 inch
€2,656
Pendouillé - Photographie d'un instant de vie
Marick
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
€440
Untitled VI. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 100 x 100 x 0.3 cm Photography - 39.37 x 39.37 x 0.1 inch
€2,656
Untitled V. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 100 x 100 x 0.3 cm Photography - 39.37 x 39.37 x 0.1 inch
€2,656
Untitled III. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 99.8 x 99.8 x 0.3 cm Photography - 39.3 x 39.3 x 0.1 inch
€2,656
Untitled I. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 100 x 100 x 0.3 cm Photography - 39.37 x 39.37 x 0.1 inch
€2,656
Ombre et Lumière
Thibaut De Rohan-Chabot
Photography - 33 x 60 x 0.1 cm Photography - 13 x 23.6 x 0 inch
€500
La Grande Mosquée des Omeyades
Thibaut De Rohan-Chabot
Photography - 61 x 41 x 0.1 cm Photography - 24 x 16.1 x 0 inch
€500
Still life with a melon
Dolores Dilova
Painting - 80 x 100 x 2 cm Painting - 31.5 x 39.4 x 0.8 inch
€3,200
Champagne pour Ayrton Senna. Brésil 92
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
€1,400
Réflexion avant course. Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
€1,400
Regard Ayrton Senna
Dominique Leroy
Photography - 60 x 90 x 2 cm Photography - 23.6 x 35.4 x 0.8 inch
€1,400
Préparatif Ayrton Senna
Dominique Leroy
Photography - 90 x 60 x 2 cm Photography - 35.4 x 23.6 x 0.8 inch
€1,500
Dream Machine / Homage To Interbau 57 Berlin 7
Sergei Sviatchenko
Photography - 21 x 29 cm Photography - 8.3 x 11.4 inch
€3,000
Legendary Peter Behrens AEG Turbine Factory Berlin 9
Sergei Sviatchenko
Photography - 21 x 29 cm Photography - 8.3 x 11.4 inch
€3,000
Legendary Peter Behrens AEG Turbine Factory Berlin 10
Sergei Sviatchenko
Photography - 29 x 21 cm Photography - 11.4 x 8.3 inch
€3,000
Legendary Peter Behrens AEG Turbine Factory Berlin 13
Sergei Sviatchenko
Photography - 29 x 21 cm Photography - 11.4 x 8.3 inch
€3,000
Legendary Peter Behrens AEG Turbine Factory Berlin 12
Sergei Sviatchenko
Photography - 29 x 21 cm Photography - 11.4 x 8.3 inch
€3,000
Traces - Maastricht
Jenny Owens
Photography - 18 x 24 x 0.5 cm Photography - 7.1 x 9.4 x 0.2 inch
€420
Arc de Triomphe
Jean-Michel Berts
Photography - 110 x 150 x 2 cm Photography - 43.3 x 59.1 x 0.8 inch
€6,950
Tour Eiffel brume
Jean-Michel Berts
Photography - 150 x 110 x 2 cm Photography - 59.1 x 43.3 x 0.8 inch
€6,950
All the others in me (New York)
Maria Jose Arjona
Photography - 69.9 x 100 x 0.3 cm Photography - 27.5 x 39.37 x 0.1 inch
€8,691
Voyou! Edition de 3 différents rehaussés. Drippping. signés..
JP Malot
Print - 50 x 70 cm Print - 19.7 x 27.6 inch
€300
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!