Colored artworks

The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.

Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.

In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.

More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.

It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."

Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?

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Colored artworks

Goldfish

Portrait II

Blooming Pathway

Teddy (Nounours)

Painted soul

Infinity war

Rapt reflections

Printemps 4

Geschüle Unlerwe

Dispersed Dense Lines

Du fond d'un pays de silence

Njinga

Miracle bid

Sous le regard des ancêtres!

3 soleils bleus

Störbild Rosa Orange

Palette d'un soir - Paysage semi abstrait

Continuum II

Sérigraphie rehaussée HPM 03

Nature's Wide and Common Sky

Paysage abstrait I

Subtractive variability manipulable IV

Peace Shall Prevail 3

California

L'Homme

Decorating The Night Sky

The Swallow's Dance

Fleeting Time I

Astroboy 02

The Shape of Time

In the Realm of Possibilities

Sans titre

Niagara Series No. 5

Street art wall-1

Jaune et vert comme des champs

Egine 1

New beginning 1

Héroicité

March story

Abstract III

Arbres étranges - série 12

2024.09.2

Le Marcheur - The Walker

Couleur des champs 1, gravure originale

Jovem de la Perla

Elévation

Magic Warhol

Warm composition

Untitled

Off to the Field of dreams 5

Untitled

River Reflections

Auvers sur Oise N°26 - Eglise Notre Dame de l'Assomption

Between beak and claws

Trooper peinture sur Edition Hors série.

Eye of the universe

Orchad

Others

Blue & White Series- Painting 1

Sunset on Mars Sea

Color Spaces XXL

Gardini

Composition 172

Sunset

To Dye or Not To Die. Drawings From the covid diaries series

Rising