Gestural abstraction

The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."

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Gestural abstraction

Sign No 45

Sign No 44

Sign No 43

Sign No 52

Abstract No 53

Abstract No 51

Abstract No 18

Bubble In A Trouble

Violet Diptych, Diptyque Violet

Black Sand 2

Span

Interior with Paint Chips

White light

Glass Wall

Room

Touch

Bonbon

Birds

Beach house

High Beams

Tournesols et clémentines

Gold rain

Message From The Univers.

Interiors

Diamonds

Silver River

Infinity

Alchemy 3

Expression 12

Strangers 3

New York city lights 5

Black and chrome

The other side 2

The other side

Fleur d'été

Exploring minimalism and vibrant contrast in brown, grey, and white

Arrête tes singeries

Portrait-II

Rectangles de couleurs

Miroirs

Winter under the snow

Summer under the storm

Ving Mille Lieues sous les mers

Mystic

Purple octopus

A large heart iconostasis-II

Jam session-XX

Abstract landscape-XIII

Autumnal mood-X

Autumnal mood-IX

Rainy impressions-XXI

Rainy impressions-XX

Rainy impressions-XIX

Rainy impressions-XVIII

Abstract vision-V

Jam session-XVI

Jam session-IX

Jam session-V

Trees

Lazer Night

Mystérieuse

Rainy music-IV

Abstract composition-I

Rainy impression-XIV

Rainy impression-XIII

Rainy impression-XII