Gestural abstraction
Save your search and find it in your favorites
Saved search
Your search is accessible from the favorites tab > My favorite searches
Unsaved search
A problem occurred
Abstract landscape
Stanislav Bojankov
Painting - 30 x 40 x 1 cm Painting - 11.8 x 15.7 x 0.4 inch
$371
Invisible landscape
Daniela Pasqualini
Painting - 101.6 x 157.5 x 20.3 cm Painting - 40 x 62 x 8 inch
$12,500
Life story, Love story (stretched)
Nadine Antoniuk
Painting - 60 x 50 x 1.5 cm Painting - 23.6 x 19.7 x 0.6 inch
$472
Just rainy-XLI
Stanislav Bojankov
Painting - 60 x 60 x 1 cm Painting - 23.6 x 23.6 x 0.4 inch
$1,067 $961
About Creation We Are Energy Sublime Greyscape Divine Silence Composition
Ovidiu Kloska
Painting - 100 x 100 x 4 cm Painting - 39.4 x 39.4 x 1.6 inch
$2,023
Shaple Pompoulaine SHPL101
Marcel Speet
Painting - 56 x 38 x 0.01 cm Painting - 22 x 15 x 0 inch
$567
Tribu africaine - Soleil infini
Thomas Jeunet
Painting - 60 x 60 x 1.5 cm Painting - 23.6 x 23.6 x 0.6 inch
$1,011
Paint in black - Lights in the sixties
Thomas Jeunet
Painting - 60 x 60 x 1.5 cm Painting - 23.6 x 23.6 x 0.6 inch
$1,011
Le Grand bleu - Blue II
Thomas Jeunet
Painting - 38 x 55 x 1.5 cm Painting - 15 x 21.7 x 0.6 inch
$944
Explosion de couleurs - Sailing
Thomas Jeunet
Painting - 60 x 40 x 3.5 cm Painting - 23.6 x 15.7 x 1.4 inch
$944
Explosion de couleurs - Finger prints
Thomas Jeunet
Painting - 60 x 40 x 3.5 cm Painting - 23.6 x 15.7 x 1.4 inch
$944
Explosion de couleurs - A frame in a frame
Thomas Jeunet
Painting - 80 x 100 x 3.5 cm Painting - 31.5 x 39.4 x 1.4 inch
$1,686
Explosion de couleurs - Smashed 3
Thomas Jeunet
Painting - 80 x 80 x 3.5 cm Painting - 31.5 x 31.5 x 1.4 inch
$1,686
Abstract 22124
Alex Senchenko
Painting - 100 x 100 x 1.5 cm Painting - 39.4 x 39.4 x 0.6 inch
$1,635
Résonances sous le Feuillage
Muriel Deumie
Painting - 50 x 70 x 4 cm Painting - 19.7 x 27.6 x 1.6 inch
$899
Nocturne-CXCXIV (homage to Chopin)
Stanislav Bojankov
Painting - 35 x 50 x 0.1 cm Painting - 13.8 x 19.7 x 0 inch
$292
Summer dreaming (stretched)
Nadine Antoniuk
Painting - 100 x 80 x 4 cm Painting - 39.4 x 31.5 x 1.6 inch
$1,686
The Blue Hour (stretched)
Nadine Antoniuk
Painting - 120 x 80 x 2 cm Painting - 47.2 x 31.5 x 0.8 inch
$1,742
Couleurs et formes du monde - Keep climbing
Thomas Jeunet
Painting - 120 x 60 x 3.5 cm Painting - 47.2 x 23.6 x 1.4 inch
$1,686
Couleurs et formes du monde - Golden Horses
Thomas Jeunet
Painting - 60 x 60 x 3.5 cm Painting - 23.6 x 23.6 x 1.4 inch
$1,011
Le Grand bleu - Blue III
Thomas Jeunet
Painting - 38 x 55 x 1.5 cm Painting - 15 x 21.7 x 0.6 inch
$944
Le Grand bleu - Blue I
Thomas Jeunet
Painting - 38 x 55 x 1.5 cm Painting - 15 x 21.7 x 0.6 inch
$944
Le Grand bleu - Monochrome
Thomas Jeunet
Painting - 70 x 110 x 3.5 cm Painting - 27.6 x 43.3 x 1.4 inch
$1,686
IN SHADES OF PINK
Juliana Haggoo
Painting - 100 x 120 x 3 cm Painting - 39.4 x 47.2 x 1.2 inch
$1,798
Sin título. Serie Blanca
Dario Berterreche
Painting - 70 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$506
Sin título. Serie Blanca
Dario Berterreche
Painting - 70 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$506
Sin título. Serie Blanca
Dario Berterreche
Painting - 70 x 50 x 0.1 cm Painting - 27.6 x 19.7 x 0 inch
$506
Gestural abstraction
The phrase gestural abstraction refers to a way of making art - not what necessarily gets painted, but how it does. By abandoning the application of paint to a surface in a controlled and premeditated way, gestural painters apply paint intuitively, physically, by dripping, splattering, pouring, smearing or throwing it at the surface itself. What matters to the gestural abstraction painters then isn't the paint but the physicality, honesty, intuition and deep personal expression. This in turn leads to the artist abandoning a focus on subject matter, turning inward for inspiration. As such, the act of painting itself becomes the subject. Willem de Kooning, Lee Krasner and Franz Kline led this movement from the 1940s onwards, with Jackson Pollock undoubtedly being the most notable with his pierced paint tins, dripping across the surface of Number 1A, 1948 (1948). Abstract gestural painters explore their deepest emotions and they express that part of themselves during the physical act of painting. Pollock would later note that he had no fears about making changes to a painting, because, he said, the work has a life of its own. The painting itself is a relic of the action, it is a recording of the gestures made. Still influencing artists today, the likes of Caroline Vis and Sebastien Desnos (s3b desnos) both reference Pollock in their work, either echoing the expression of emotion or indeed as Desnos puts it, “action painting."