White

In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?

Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.

In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.

With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.

Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.

Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!

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White

Love's screen

Combustion 2

Combustion

Worn & Torn series #99

Worn & Torn series #94

Le blanc géométrique

Signes de désorientations (série)

Signes de désorientations (série)

Signes de désorientations (série)

Signes de désorientations (série)

Tu m'ennivre

Packard eight

Doll mouth (drool)

Doll mouth (drool)

The stoning of St. Peter the fat fan

Martyrdom at the Rink

Martyrdom at the Ski Hill

A people's history (Terre sauvage)

A people's history (Girl bride, Bountiful, BC)

A People's History (View from Mt.Cashel)

Group of Seven Awkward Moments (March Storm)

Group of seven awkward moments (Winter on the Don)

Group of seven awkward moments (Davis Strait)

Group of seven awkward moments (Early snow with Bob and Doug)

Group of seven awkward moments (In Algonquin Park)

Group of seven awkward moments (northern lights)

Herd-girl (gardener and memory keeper)

Sautillante

Group of Seven Awkward Moments (Lake and Mountains with Double-double)

Big horse

Ripple colour III

Far, far, far

Unique

Rete di Confluenza

Inner depth

The sandman

Mujer

Dansons sous les arbres

Bundled

Shiva

Woman with yellow stocking

Nude with red hair

Beauty of the gods The Aphrodite goddess statue

Danseuse libre

Ophélia au milieu des nymphéas

Possibility

HB1424 – Collection purity

David’s beauty

Woman and flowers

L'enigme

Petite méditation sur fond bleu

Petite méditation sur fond rouge

Hommage to Heinrich Fuseli

Fill II

Sans titre

Secret d'alcôve 2

L'acrobate 2

L'acrobate 1

Sans titre

En La Florida (Identity Promises Series)

Fuen en El Louvre, Paris (Identity Assertions Series)

Heaviness

Voltage

Oversquashed

Le jardin des sens

Grand Sumo blanc