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Series: Portrait rendering #3
Keita Kushima
Painting - 90 x 70 x 3 cm Painting - 35.4 x 27.6 x 1.2 inch
$4,863
Lola sleeping
Helen Uter
Fine Art Drawings - 40 x 40 x 0.1 cm Fine Art Drawings - 15.7 x 15.7 x 0 inch
$543
Frozen trees 4
Imanol Marrodán
Photography - 20 x 26 x 0.1 cm Photography - 7.9 x 10.2 x 0 inch
$396
Frozen trees 7
Imanol Marrodán
Photography - 20 x 26 x 0.1 cm Photography - 7.9 x 10.2 x 0 inch
$396
Les filles d’honneur... (En scène)
Olivier Messas
Painting - 100 x 120 x 2 cm Painting - 39.4 x 47.2 x 0.8 inch
$3,619
Elles n'ont pas d'épines
Valérie Auriel
Painting - 100 x 81 x 2 cm Painting - 39.4 x 31.9 x 0.8 inch
$2,737
Over-reaction: Squirreling half-eaten food in your bedroom again?!?! We can get mice!!!
Lauren Naomi
Painting - 121.9 x 274.3 x 4 cm Painting - 48 x 108 x 1.6 inch
$9,273
Zone interdit 3
Dominique Liccia
Fine Art Drawings - 32 x 24 x 0.1 cm Fine Art Drawings - 12.6 x 9.4 x 0 inch
$509
Spring landscape Spring view River Nature painting
Irina Pronina
Painting - 49 x 38 cm Painting - 19.3 x 15 inch
$396
Portrait
Albert Fernand-Renault
Fine Art Drawings - 25 x 25 x 0.1 cm Fine Art Drawings - 9.8 x 9.8 x 0 inch
$339
Surprising news
Haibat Balaa Bawab
Fine Art Drawings - 70 x 100 x 4 cm Fine Art Drawings - 27.6 x 39.4 x 1.6 inch
$7,700
Draperie Ephémère sur la Meije
Jérome Obiols
Photography - 100 x 140 x 0.1 cm Photography - 39.4 x 55.1 x 0 inch
$4,184
Vacationland
Edward Zelinsky
Fine Art Drawings - 55.9 x 76.2 x 0.8 cm Fine Art Drawings - 22 x 30 x 0.3 inch
$385
Tête de mule Drouillard
Jean-Robert Drouillard
Sculpture - 38.1 x 12.7 x 9.5 cm Sculpture - 15 x 5 x 3.75 inch
$4,750
Console Table Camo Marble Calacatta Viola
Un'common
Design - 85 x 50 x 28 cm Design - 33.5 x 19.7 x 11 inch
$5,089
Back Street Majorca
Daniel Clarke
Fine Art Drawings - 30.5 x 45.7 x 0.3 cm Fine Art Drawings - 12 x 18 x 0.1 inch
$279
Chromatic butterfly - white
Federico Cortese
Painting - 19.8 x 39.9 x 1.5 cm Painting - 7.8 x 15.7 x 0.6 inch
$290
A conversation with a therapist 10
Dzovig Arnelian
Photography - 60 x 40 x 0.5 cm Photography - 23.6 x 15.7 x 0.2 inch
$250
A conversation with a therapist 9
Dzovig Arnelian
Photography - 60 x 40 x 0.5 cm Photography - 23.6 x 15.7 x 0.2 inch
$250
A conversation with a therapist 8
Dzovig Arnelian
Photography - 62 x 40 x 0.5 cm Photography - 24.4 x 15.7 x 0.2 inch
$250
City view, Painting, Watercolor on watercolor paper
Daniel Clarke
Fine Art Drawings - 40.6 x 50.8 x 0.3 cm Fine Art Drawings - 16 x 20 x 0.1 inch
$268
Georgia Home, Watercolor on paper
Mike King
Fine Art Drawings - 33 x 50.8 x 0.3 cm Fine Art Drawings - 13 x 20 x 0.1 inch
$469
Vintage Murano Glass Vase Model 5357
Aureliano Toso
Design - 39 x 14 x 14 cm Design - 15.4 x 5.5 x 5.5 inch
$3,845
Modillum
Stefano Mazzolini
Painting - 174 x 137 x 1 cm Painting - 68.5 x 53.9 x 0.4 inch
$5,654 $5,089
Triptyque one dollar
Claire Godet
Fine Art Drawings - 19 x 15.5 x 0.1 cm Fine Art Drawings - 7.5 x 6.1 x 0 inch
$57
Paris, couple sur le Pont Neuf
Olivia Bonnamour
Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch
$509
Paris, Beauté et religion dans le Marais
Olivia Bonnamour
Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch
$509
Paris, Jeune homme dans le Marais
Olivia Bonnamour
Photography - 30 x 45 x 1 cm Photography - 11.8 x 17.7 x 0.4 inch
$509
Paris, Jeune couple sur le Pont Neuf
Olivia Bonnamour
Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch
$509
Paris, Couple de japonais aux Palais Royal
Olivia Bonnamour
Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch
$509
New York, Washington Square
Olivia Bonnamour
Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch
$509
Paris, 9e arrondissement 2022
Olivia Bonnamour
Photography - 30 x 40 cm Photography - 11.8 x 15.7 inch
$509
Watching the fireworks
Gordon Barker
Painting - 30.5 x 30.5 x 0.3 cm Painting - 12 x 12 x 0.1 inch
$275
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!