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Pic-Nic en famille,
1997
Gilvan Bezerril
Painting : acrylic
40 x 61 cm 15.7 x 24 inch
€1,400
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
40 x 61 cm 15.7 x 24 inch Height x Width x Depth
Support
Framing
Black frame
Artwork dimensions including frame
46 x 66 cm 18.1 x 26 inch
Tags
Artwork sold in perfect condition
Artwork location: Brazil
This vibrant artwork is a vivid depiction of a joyful day in a lush, verdant landscape. The scene is set amidst rolling hills and vibrant greenery, where an array of trees adorned with thick, textured foliage stands prominent. Each tree is meticulously detailed, contributing to the rich tapestry of the natural environment.
The foreground is alive with activity, capturing the essence of carefree play and leisure. Children and adults alike are engaged in various activities, embodying a sense of community and enjoyment. A figure reclines in a bright yellow hammock, suspended between two trees, epitomizing relaxation. Nearby, another person dances exuberantly, their movement bringing dynamism to the scene.
The details in the figures' postures and expressions add depth and personality, while the bright, bold colors infuse the painting with an uplifting spirit. The playful inclusion of animals, including a few white rabbits and a dog, further enhances the lively atmosphere.
A path meanders through the landscape, inviting the viewer into the scene and suggesting movement and exploration. In the distance, soft, blue hills meet with fluffy white clouds in a clear sky, providing a serene backdrop that contrasts harmoniously with the lively foreground.
This artwork is characterized by its strong sense of unity and attention to detail, reflecting an idyllic day filled with harmony between people and nature. The use of color and form is expertly balanced, creating a compelling narrative of leisure and joy.
About the seller
Galeria Jacques Ardies • Brazil
Artsper seller since 2019
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Presentation
Paulo Gilvan Duarte Bezerril, self-taught in painting and music, began his artistic career in 1964. His unique approach involved using a technique he invented himself, using automotive paint and acrylic on eucatex sheet or, occasionally, sheet wood. Gilvan's art is characteristically naive, overflowing with joy, vibrant colors and tropical atmospheres. He avoids stereotyped formulas, portraying everything from popular rural festivals to comic books that narrate the lives of Lampião and Maria Bonita, the legendery Brazilian Robin Hood.
Gilvan
(Gilvan Duarte Bezerril)
1930 – Recife, PE
2012 – Rio de Janeiro, RJ
Gilvan's first solo exhibition took place in 1972, when he was already living in Rio de Janeiro. Amongst other exhibitions, his work was shown at the Brazilian American Center in Washington (1973), at Galeria Paulo Prado (1975) and Galeria Jacques Ardies (1981) in São Paulo; at Galeria Ipanema (1986) and Galeria Jean-Jacques (1981) in Rio de Janeiro; in Natal, Campinas, and as of 1990, at the Museu Internacional de Arte Naïf in Rio de Janeiro (1990).
Founder of the celebrated musical ensemble Trio Irakitan, it seems as if Gilvan was always on the road. But as he returned home, he would be seized by an obsessive compulsion and take up his paintbrushes to tell the story of the fierce Lampião and the trustworthy Padre Cícero, legendary figures of the Brazilian Northeast. He also enjoyed representing the traditional festivities of the north-eastern people, which he sometimes enhanced with vague references to the Old and New Testament. Gilvan always cultivated his immense pleasure of painting, trusting his instincts and producing charming and humorous works. Even where pictorial technique is concerned, he is set apart by the use of wood-based panels, wooden boxes or even wooden planks which he assembles into folding screens, enriching textures with water-based paints and enamels, besides the usual acrylic paint.
Without any outspoken political position, the artist references serious social issues, never losing the humorous attitude which characterizes his work.
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