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Op-Art Icon (Green),
2024
Shepard Fairey (Obey)
Print : giclée
45.7 x 61 cm 18 x 24 inch
$547
547 $US
Secure delivery : Chile
+ $46
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About the artwork
Type
Numbered and limited to 250 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
45.7 x 61 cm 18 x 24 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United States
"In the early 90's, I fell in love with 60's psychedelic posters from artists like San Franciscos Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA's John Van Hamersveld. I was especially drawn to the op-art patterns and color theory used in psychedelic art. I had been making black and white Andre stickers for a couple of years, and I decided it was time to branch out with some playful backgrounds and color theory, so I began experimenting with op-art patterns and intense vibrating colors. Part of the fun was the journey of improving at color theory, and the other part was seeing the polarizing reactions to the psychedelic Andre stickers. Some people thought they were annoying, even nauseating, while others found them exhilarating. Considering my prior punk-rock-minimalism, some people saw the color and style as a betrayal! Coincidentally, in 1992, as I was releasing these psychedelic Andre stickers into the world, the techno rave scene was gaining steam. The rave scene used a mix of early digital and psychedelic aesthetics, which led to an enthusiastic audience for the stickers and t-shirts of my op-art variations. I was torn because I was not really a fan of techno music, but I was broke, and selling t-shirts to ravers was helping to keep me alive. I'm also fascinated by how underground scenes develop. However, as rave became extremely trendy, I decided that despite the fact that it would be bad for my cash flow, I needed to separate my art from the rave scene. Thirty years have passed, and I've gotten over my distaste for an association with rave to the point that I felt like exploring psychedelic patterns and colors again. These Op-Art Icon prints are nostalgic in some ways and of-the-moment in others. They relate to my early 90s explorations but push a lot further with the way the colors weave through the Icon Face image and have the effect of subtle translucency through the spray paint texture. I always have fun finding new ways to use some of my staple images, like the Icon Face, because repetition with evolution is an important principle for the Obey Giant campaign."
-Shepard
Dimensions: 18 x 24 Inches Medium: Screenprint on cream Speckletone Paper Provenance: Signed, numbered, and dated by artist. Comes with Verisart digital blockchain certificate of authenticity transferred to collector's email address. Edition: Limited Edition of 250 (#52/250) Year: 2024 Condition: Excellent
Collector’s Guide
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Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of the Hôtel de Ville in Paris as part of the exhibition “From Paris to Belém: 10 Years of Global Action for the Climate,” commemorating the Paris Agreement. Featuring his trademark red, blue, and cream tones with powerful slogans like “Respect Earth” and “Resist Unite,” the work reinforces his commitment to environmental and political causes. This high-visibility project, combining activism and large-scale public art, further cements his appeal among collectors, institutions, and art lovers seeking pieces with both visual strength and civic impact.
In the late 1980s, with friends from the Rhode Island School of Design, he launched a viral sticker and poster campaign using the image of wrestler André the Giant. Stuck clandestinely in major American cities, these works marked the history of contemporary street art and demonstrated the power of this new form of artistic expression.
Shepard Fairey rose to worldwide fame in 2008 with his iconic HOPE poster, created for Barack Obama, which became a symbol of the presidential campaign. In 2024, he renewed his political commitment by creating the "Forward" poster, in support of Kamala Harris. Inspired by HOPE, this work was used as murals in several key states to encourage voter mobilization. In 2021, Shepard Fairey reimagined Marianne, the symbol of the French Republic, blending street art and political commentary in a powerful tribute to liberty.
Despite legal controversies over intellectual property, Shepard Fairey continues to exhibit his works in the greatest contemporary art museums. In 2022, he created a monumental fresco in Munich, in collaboration with the Department of Art and Culture, to promote renewable energy.
Still active, Shepard Fairey proves that street art is a powerful tool for social and political change, combining art, activism and engagement.
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