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Petite enveloppe,
2020
Christian Renonciat
Sculpture : wood
45 x 45 x 5 cm 17.7 x 17.7 x 2 inch
$4,812
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About the artwork
Type
Unique work
Signature
Engraved signature
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
45 x 45 x 5 cm 17.7 x 17.7 x 2 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Discover more by the artist
Presentation
?Born in Paris in 1947, I studied literature at the Sorbonne, and I hold a BA in philosophy.
Wishing to have a more concrete activity, I joined Jean-Louis Gonnet?s studio in Antibes, where I learned in six years all the techniques connected to my favorite material, wood. I opened my own studio in 1975 in Valbonne, and my first sculptures were born.
Back in Paris the following year, I had my first exhibition at the Alain Blondel Gallery. Over the years my interest in the material of things as a subject started to get defined, an I was sculpting the wood into various representations, from the more [hyper]realistic to the almost abstract ones.
In 1984, I have taken another parallel track: the monumental works, for which I wanted to combine imagination and technique in a variety of materials (steel, bronze, aluminum but also garden design) employing very often the tone of an imaginary archeology. The installations in Saumur, Tokyo, Sapporo, Atlanta, San Francisco, Monte-Carlo, Aytré, La Rochelle, Paris, Reims, London, etc. witness this direction in my work.
For the last twelve years, I have decided to dedicate myself again full-time to my work in wood, around "the substance of things", and I have a workshop in the Touraine, close to Chenonceaux; I also work in Paris, in my workshop in Issy-les-Moulineaux.?
- Christian Renonciat
Read more
Wishing to have a more concrete activity, I joined Jean-Louis Gonnet?s studio in Antibes, where I learned in six years all the techniques connected to my favorite material, wood. I opened my own studio in 1975 in Valbonne, and my first sculptures were born.
Back in Paris the following year, I had my first exhibition at the Alain Blondel Gallery. Over the years my interest in the material of things as a subject started to get defined, an I was sculpting the wood into various representations, from the more [hyper]realistic to the almost abstract ones.
In 1984, I have taken another parallel track: the monumental works, for which I wanted to combine imagination and technique in a variety of materials (steel, bronze, aluminum but also garden design) employing very often the tone of an imaginary archeology. The installations in Saumur, Tokyo, Sapporo, Atlanta, San Francisco, Monte-Carlo, Aytré, La Rochelle, Paris, Reims, London, etc. witness this direction in my work.
For the last twelve years, I have decided to dedicate myself again full-time to my work in wood, around "the substance of things", and I have a workshop in the Touraine, close to Chenonceaux; I also work in Paris, in my workshop in Issy-les-Moulineaux.?
- Christian Renonciat
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