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Melting Snow Ice,
1996
Hamish Fulton
Print : Screen Print
40 x 50 x 1 cm 15.7 x 19.7 x 0.4 inch
$1,076
1 076 $US
One of the last works available by this artist
Secure delivery : Czech Republic
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About the artwork
Type
Numbered and limited to 40 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
40 x 50 x 1 cm 15.7 x 19.7 x 0.4 inch Height x Width x Depth
Support
Framing
Frame with plexiglass
Artwork dimensions including frame
42 x 52 x 3 cm 16.5 x 20.5 x 1.2 inch
Tags
Artwork sold in perfect condition, framed, ready to hang
Artwork location: Switzerland
This work by Hamish Fulton captures the essence of the artist's walking-based practice.
Signed and numbered on the reverse - visible through its plexiglass back.
The text-based composition documents a series of seven one-day walks on country roads in Kent, England, undertaken between 8–14 February 1996.
Published by Peninsula Foundation.
Professionally presented, by our own frame-shop, floating in a custom-made, double acid-free passe-partout, housed in an exclusive Plexiglass showcase, which can be presented standing or hanging. Size showcase : approx.40 × 50 x 4 cm
*** Worldwide delivery is also offered, providing a seamless acquisition process for international buyers
*** For further details regarding pricing, authentication, handmade framing, and global delivery options, please contact us
*** Shipment worldwide from EU-Country
Presentation
Hamish Fulton, born in 1946 in London (England), is an artist of the conceptual art that can also be attached to the Land s. He works and lives in Canterbury.
Since the beginning of 1970, he travels to foot the world, 24 countries, thousands of kilometers, several hundreds of markets. It does not pay to his travel. This are the exhibitions, photographs, and publications which impose its approach as fact artistic. For him, this is the market the essential, the ephemeral market is the ?work of art. It offers a privileged relationship to nature. Of this fact, the ?photographic works of Hamish Fulton are more the culmination of course lonely in the nature that images of places.
In this sense, the work of Fulton is differentiated from the Land American Art by his gentleness, his privacy and the great economy of means. He photograph the landscape without intervention or fireworks he presents as well the views often wide of virgin landscapes, with rare individuals encountered, the ephemeral markings during the hike, accompanied by texts indicating date and place of the shooting, duration or length of the market, as well as topographic data, climate or natural (the words may designate missing elements of the image: animals, wind direction. ). The spectator is invited to reconstitute the space mentioned and the journey of the artist.
With regard to its ?works, Fulton spoke of mental sculpture in the direction where they are referenced as the sculptures to the notions of space, time and matter.
Read more
Since the beginning of 1970, he travels to foot the world, 24 countries, thousands of kilometers, several hundreds of markets. It does not pay to his travel. This are the exhibitions, photographs, and publications which impose its approach as fact artistic. For him, this is the market the essential, the ephemeral market is the ?work of art. It offers a privileged relationship to nature. Of this fact, the ?photographic works of Hamish Fulton are more the culmination of course lonely in the nature that images of places.
In this sense, the work of Fulton is differentiated from the Land American Art by his gentleness, his privacy and the great economy of means. He photograph the landscape without intervention or fireworks he presents as well the views often wide of virgin landscapes, with rare individuals encountered, the ephemeral markings during the hike, accompanied by texts indicating date and place of the shooting, duration or length of the market, as well as topographic data, climate or natural (the words may designate missing elements of the image: animals, wind direction. ). The spectator is invited to reconstitute the space mentioned and the journey of the artist.
With regard to its ?works, Fulton spoke of mental sculpture in the direction where they are referenced as the sculptures to the notions of space, time and matter.
Printmakers
Irish artists
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