Moods and Fears 5: Contemplative Mixed Media Graphic on Paper, 2026
Dizlarka   Best sellers

Fine Art Drawings : Watercolour, acrylic, pencil · 27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch

£196 196 £GB
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Shipped from: Spain

Delivery to: United Kingdom , £ 21

Estimated delivery: Less than one week

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

Acquire an original abstract drawing on paper to enhance your collection with poetic depth. This evocative graphic piece, "Moods and Fears 5" (27.8x20 cm / 10.9x7.9 in), masterfully combines ink, pencil, tea, and watercolor on paper to explore the hidden depths of emotion. The creative process is deeply reflective, starting with an abstract monotype stain that slowly inspires intricate, hand-rendered lines and dreamlike silhouettes. Framed by a dark border with subtle hand-drawn silver details, the artwork speaks to lovers of quiet surrealism and minimalist aesthetics. This exquisite drawing makes a magnificent, highly original gift for holidays or special milestones, fitting beautifully into a sophisticated modern office, home library, or creative space where its gentle mystery can inspire daily reflection.

This piece is part of the graphic series “Moods and Fears".

Portrait

Landscape

Drawing on paper

Silhouette

Black

Dizlarka, Moods and Fears 5: Contemplative Mixed Media Graphic on Paper

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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