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In Motion 3: Abstract Mixed Media Collage with Dancing Silhouette and Surreal Eyes in Black and White, 2026
Dizlarka   Best sellers

Fine Art Drawings : oil, acrylic · 38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch

€234 234 €
Delivered in time for Christmas
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Shipped from: Spain

Delivery to: Italy , € 25

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

In Motion 3: Abstract Mixed Media Collage with Dancing Figure and Surreal Elements

Discover this captivating black and white surreal artwork to enrich your curated space and inspire daily contemplation. Created using an intuitive mix of acrylic, oil, rich textured pastes, felt, and paper on a compact canvas, "In Motion 3" (38.5 x 27 cm / 15.2 x 10.6 in) invites you into a fragmented world of dance, rhythmic patterns, and mysterious watching eyes. The elegant contrast between the textured white silhouette and the deep dark background captures a fleeting, dreamlike moment. Designed to complement contemporary interiors, this sophisticated piece serves as an exceptional housewarming gift or a standout addition to a collector's personal gallery. Bring this expressive, tactile masterpiece into your home and let its poetic movement redefine your interior design.

Portrait

Women

Eyes

Symbols

Silhouette

White

Black

Dizlarka, In Motion 3: Abstract Mixed Media Collage with Dancing Silhouette and Surreal Eyes in Black and White

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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