The Outspoken One: Original Symbolic Bird Illustration on Paper, 2026
Dizlarka   Best sellers

Fine Art Drawings : Watercolour, acrylic, pencil, pastel · 27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch

£195 195 £GB
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Shipped from: Spain

Delivery to: United Kingdom , £ 21

Estimated delivery: Less than one week

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

Add a powerful focal point to your collection with this original surreal bird artwork on paper. The mesmerizing mixed media creation, "The Outspoken One" (27.8 x 20 cm / 10.9 x 7.9 in), uses a vibrant blend of acrylic, watercolor, pastel, and pencil to depict a symbolic animal figure representing human complexity. Rising from a meditating figure against a solid black backdrop, the bird with its fiery red crest embodies a unique perspective on the world. The piece suggests that true individuality comes from embracing the diverse traits we carry within. Combining dynamic charcoal black textures with vibrant coral-red details, it fits seamlessly into contemporary interiors and minimalist home decors. It makes a beautiful, deeply meaningful gift for special occasions, sure to inspire quiet reflection in a bedroom, study, or living space.

Animal

Birds

White

Black

Dizlarka, The Outspoken One: Original Symbolic Bird Illustration on Paper

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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