The Presentation (39), 2013
Moon-Seup Shim  

Painting : acrylic · 162 x 114 x 4 cm 63.8 x 44.9 x 1.6 inch · Ready to hang

> £ 50,000
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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

162 x 114 x 4 cm 63.8 x 44.9 x 1.6 inch Height x Width x Depth

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Description

Shim Moon Seup's (2018) reveals a more fluid and atmospheric interpretation of his signature visual language, where repetition, rhythm, and materiality converge in a restrained abstract composition. Executed in acrylic on canvas, the work is composed of layered horizontal bands in deep grey and muted blue tones, subtly modulated to create a luminous and immersive surface.

Measuring 162 x 114 cm, the vertical format enhances the interplay between horizontal continuity and vertical movement. Unlike more structured compositions within the series, this work presents a softer, more diffused transition between layers, where the boundaries dissolve into one another. Fine linear traces and delicate striations run across the surface, suggesting motion and temporality, while also evoking the quiet persistence of natural rhythms.

The tonal shifts are minimal yet precise, allowing light to emerge from within the painting rather than from external contrast. This creates a sense of depth that is both visual and perceptual, inviting the viewer into a contemplative engagement with the work.

Rooted in a meditative process, Shim Moon Seup's practice reflects an ongoing dialogue between control and release, structure and fluidity. In , the surface becomes a record of time and gesture, offering a space where stillness and movement coexist.

Moon-Seup Shim, The Presentation (39)
South Korea  • 1943

Presentation

SHIM Moon-Seup (b. 1943, Tongyeong, South Korea) is a central figure in contemporary Korean sculpture and a pioneer of the country’s artistic avant-garde.

His practice is rooted in a profound exploration of the relationship between matter, time, and nature, challenging the traditional boundaries of sculpture. Working with materials such as wood, stone, iron, and earth, the artist investigates processes of transformation, balance, and impermanence, often inspired by the maritime landscape of his hometown.

Since the 1960s, SHIM Moon-Seup has played a fundamental role in redefining sculpture, incorporating experimental approaches that engage in dialogue with Minimalism and movements such as Mono-ha, while maintaining a deep connection to Korean philosophy and aesthetic sensibility.

His work is held in major institutional collections, including the National Museum of Modern and Contemporary Art (Seoul), the Leeum Museum of Art, and the Hakone Open-Air Museum, among others.

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