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Saison récolte,
2023
San Zi
Painting : ink
100 x 50 x 1 cm 39.4 x 19.7 x 0.4 inch
$2,135
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
100 x 50 x 1 cm 39.4 x 19.7 x 0.4 inch Height x Width x Depth
Support
Framing
Black frame with glass
Artwork dimensions including frame
105 x 55 x 3 cm 41.3 x 21.7 x 1.2 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Ces deux idéogrammes est signifié "L’automne est la saison de récolte."
La calligraphie chinoise, art fondamental de la culture traditionnelle chinoise, est étroitement liée à la peinture chinoise dans son développement, et son histoire est aussi longue que celle de la Chine elle-même. Le peintre utilise essentiellement les mêmes matériaux que le calligraphe (pinceau, encre et papier). Son travail est jugé selon les mêmes critères que pour le calligraphe, à savoir la vitalité et l'expressivité du coup de pinceau et le rythme harmonieux de l'ensemble de la composition.
La calligraphie et la peinture chinoises partagent la même origine
Depuis l'aube de l'humanité, il y a toujours eu un besoin pour les êtres humains d'enregistrer les choses. À mesure que la société humaine se développait, ils ont adopté une façon de tenir des registres en utilisant des dessins, et ont finalement inventé les caractères chinois.
Ces pictogrammes ont progressivement évolué, passant de symboles picturaux à des caractères composés de lignes, à mesure que la capacité des gens à observer, à penser et à s'exprimer s'améliorait. Puis l'art étonnant et unique de la calligraphie chinoise a vu le jour.
Il est ainsi facile de constater que la calligraphie chinoise et la peinture chinoise sont étroitement liées. Les caractères chinois, véhicules de la calligraphie chinoise, sont issus d'objets naturels. Plus le caractère est ancien, plus il apparaît sous forme d'image, et il est toujours possible de tracer en eux des liens visuels communs.
Read more
La calligraphie chinoise, art fondamental de la culture traditionnelle chinoise, est étroitement liée à la peinture chinoise dans son développement, et son histoire est aussi longue que celle de la Chine elle-même. Le peintre utilise essentiellement les mêmes matériaux que le calligraphe (pinceau, encre et papier). Son travail est jugé selon les mêmes critères que pour le calligraphe, à savoir la vitalité et l'expressivité du coup de pinceau et le rythme harmonieux de l'ensemble de la composition.
La calligraphie et la peinture chinoises partagent la même origine
Depuis l'aube de l'humanité, il y a toujours eu un besoin pour les êtres humains d'enregistrer les choses. À mesure que la société humaine se développait, ils ont adopté une façon de tenir des registres en utilisant des dessins, et ont finalement inventé les caractères chinois.
Ces pictogrammes ont progressivement évolué, passant de symboles picturaux à des caractères composés de lignes, à mesure que la capacité des gens à observer, à penser et à s'exprimer s'améliorait. Puis l'art étonnant et unique de la calligraphie chinoise a vu le jour.
Il est ainsi facile de constater que la calligraphie chinoise et la peinture chinoise sont étroitement liées. Les caractères chinois, véhicules de la calligraphie chinoise, sont issus d'objets naturels. Plus le caractère est ancien, plus il apparaît sous forme d'image, et il est toujours possible de tracer en eux des liens visuels communs.
About the seller
Galerie Feng Shang • France
Artsper seller since 2014
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Presentation
Sanzi (simplified Chinese: ??), born in 1965 in Yangzhou, Jiangsu with the name Wang Xiaolong, is a widely recognized contemporary Chinese painter and designer. Known for his mastery of deploying a combination of techniques including Western painting, traditional Chinese ink painting, metal and wood work.
Heavily influenced by Taoism, he often signs his works with “Sanzi” (??) which has the metaphysical meaning of “floating”, “freedom” and “humility”. Many of the subjects of his paintings reflect concepts of humanity, cosmos and “wu wei” - action through inaction. He also depicts Taoist view of sexuality: valuing the body and mind as positive assets which generate harmony and balance.
In 1983, Xiaolong enrolled in the Fine Arts Institute of Hunan Normal University in Changsha where he studied traditional Chinese ink painting, calligraphy, as well as European oil painting and sculpture. After graduation, he was granted a post-graduate research scholarship and was also assigned to teach newly enrolled students. Soon after he also gained entry to the Hunan Academy of Art.
He gained recognition in 2005, and is now one of the well-known figures in contemporary Chinese art. With his rising popularity, he was ordered to create one background painting for China Pavilion during the Shanghai Expo in 2010. He lived in several different cities in China, and in 2010 he also set up his first "Sanzi Studio" abroad, in Belleville, Paris.
Read more
Heavily influenced by Taoism, he often signs his works with “Sanzi” (??) which has the metaphysical meaning of “floating”, “freedom” and “humility”. Many of the subjects of his paintings reflect concepts of humanity, cosmos and “wu wei” - action through inaction. He also depicts Taoist view of sexuality: valuing the body and mind as positive assets which generate harmony and balance.
In 1983, Xiaolong enrolled in the Fine Arts Institute of Hunan Normal University in Changsha where he studied traditional Chinese ink painting, calligraphy, as well as European oil painting and sculpture. After graduation, he was granted a post-graduate research scholarship and was also assigned to teach newly enrolled students. Soon after he also gained entry to the Hunan Academy of Art.
He gained recognition in 2005, and is now one of the well-known figures in contemporary Chinese art. With his rising popularity, he was ordered to create one background painting for China Pavilion during the Shanghai Expo in 2010. He lived in several different cities in China, and in 2010 he also set up his first "Sanzi Studio" abroad, in Belleville, Paris.
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