Kokeshi arbre, ou la prise de tête
Yannick Le Bloas
Sculpture - 28 x 19 x 19 cm Sculpture - 11 x 7.5 x 7.5 inch
€400
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La Carine-Celle de Bois-Le-Vent,
Circa 1970
Ramon Dilley
Painting : oil
61 x 48 x 2 cm 24 x 18.9 x 0.8 inch
€1,800
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
61 x 48 x 2 cm 24 x 18.9 x 0.8 inch Height x Width x Depth
Support
Framing
Golden frame
Artwork dimensions including frame
81 x 58 x 4 cm 31.9 x 22.8 x 1.6 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Oil on cardboard mounted on canvas
Signed lower right
Titled on the back
Provenance: Private collection, Normandy
Beautiful frame offered
Sold with invoice and certificate of authenticity.
This bold work depicts a nude woman standing in the center of a room, her arms covered with long white gloves, creating a striking contrast with her skin. Her direct and confident posture immediately captures attention. In the background, a staircase and a window let in a soft light, giving the scene an intimate atmosphere. The color palette, dominated by warm, bright tones, emphasizes the liveliness of the setting. The thick lines and sharp contours illustrate an expressive, almost brutal technique, revealing a deep emotional dimension. This painting is distinguished by its stylistic audacity and the balance between sensuality and the impression of vulnerability. The artist successfully combines the classicism of the nude with a modern approach, creating a composition that is both disconcerting and captivating.
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Presentation
It is the meeting with the sculptor Paul Belmondo that will decide the fate of Gomez Ramon y Romero. Paul Belmondo appreciates his artistic qualities and uses his influence to bring him into the Ecole du Louvre. However, it is as an autodidact that the young man approaches the world of painting. After a first contact with the Great Painting, where he never stopped copying the works of the masters in museums, he went around the world for two years, from 1965 to 1967. During these two years of wandering, he lived on product of his painting. Back in Paris, he followed the advice of auctioneer Maurice Rheims and took Ramon Dilley as a pseudonym. From his first exhibitions, Dilley found his style. The nostalgia of exile and periods of bygone happiness underlie its creation, where we find elegant 1930s and legendary seaside resorts. Deauville, Trouville, Cannes, Nice are his favorite subjects, and he populates these fashionable beaches with frivolous and carefree characters. This Scott Fitzgerald of painting is immediately successful. Very extrovert, Ramon Dilley seeks clients from the jet set and the world of cinema. The world of letters also welcomes him, and the painter befriends Mauriac, as with Giono and Marcel Achard. In 1968, he met Catherine Deneuve, who introduced him to Claude Chabrol. The director will become one of his passionate collectors. But there are also fans of the work of Dilley the Shah of Iran, Prince Rainier of Monaco and Valery Giscard d'Estaing.
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Jean-François Contremoulin
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
€660
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