Hélico Boy, 2020

by Guillaume Chiron

Print : Screen Print 70 x 50 cm 27.6 x 19.7 inch

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9.6/10

About the artwork

Type

Numbered and limited to 50 copies

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: Screen Print

Dimensions cm inch

70 x 50 cm 27.6 x 19.7 inch Height x Width x Depth

Framing

Not framed


Tags

Portrait

Grey

Yellow

Artwork sold in perfect condition

Artwork location: France

2-pass screen print numbered 8/50.
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About the seller

Galerie Jean-Louis Cléret • France

Artsper seller since 2015

Vetted Seller

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Collector’s Guide

Imagine it at home

Guillaume Chiron, Hélico Boy
Guillaume Chiron

Guillaume Chiron

France  • 1977

Guillaume Chiron is a French multidisciplinary artist born in 1977. He quickly developed a passion for drawing, painting, publishing fanzines and organizing concerts.

A graduate of EESI, the art school of Poitiers in 2002, he made his first exhibitions at the Galerie du Triangle in Bordeaux or at Ircam in Paris, and worked with Bruno Peinado during the assembly of the exhibition. Escape (1999, Modern Comfort).

He taught Plastic Arts for a while before joining the Confort Moderne team in Poitiers, in 2003, today Center d'Art et Scène de Musique Actuelles. He became Curator for Education and Research there, imagined and implemented projects that contributed to the artistic and cultural influence of the place, both locally and internationally. In particular, he is developing Rencontre du 3ème type, a program of contemporary artistic creation that has been particularly noticed, such as the “La Caravane-Piscine" project, produced with the visual artist Benedetto Bufalino.

He works with many emerging artists, including Ivan Argote, Pauline Bastard, Davide Balula, Julien Berthier, Baptiste Brunello, Stéphanie Cherpin, Vincent Ganivet, Louis Gary, Laurent Le Deunff, Le Gentil Garçon, Moolinex, Jeanne Moynot and Julien Paci. .

In parallel and until 2014, he officiated in various rock groups, more particularly Microfilm (guitar) for which he forged most of the visual and sound identity. The voices are dialogues that he collects in films from the 1950s to 1970s and the concerts are the subject of projections of film sequences that he has repainted image by image or highlighted. He also signs the group's album covers, the last of which is a collage.

There followed a large production of collages which he compiled into three self-published works: Eat the banana, speak upright! (2015), Learning with Tweezers (2017) and Oops! (2019).

From 2016, he also exhibited his work at Maison Vide in Crugny (51), at Superette in Paris, at the MAP festival in Toulouse, at the Galerie Grand'Rue in Poitiers, at the Château de Bressuire (79) and at La Vallée in Brussels. He then invests the place by presenting a set of original collages but also serigraphs, tapestries and various installations.


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