Village in winter,
2024
Oksana Ivanyuk
Painting : oil, cardboard
15 x 20 x 2 cm 5.9 x 7.9 x 0.8 inch
€195
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
15 x 20 x 2 cm 5.9 x 7.9 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Ukraine
Kalen1443
The painting titled "Village in Winter" depicts a serene rural scene blanketed in snow, capturing the quiet beauty of a village during the cold season. The artist uses a palette knife technique to apply thick layers of oil paint, creating a textured, almost three-dimensional surface that enhances the depth and atmosphere of the composition. The color palette, dominated by cool tones of blue, violet, and white, contrasts beautifully with the warm accents of brown, orange, and yellow, bringing life and warmth to the cold winter landscape. The foreground shows a snow-covered field, painted in soft shades of white, lavender, and pale blue. The textured brushstrokes suggest the uneven surface of the snow, with subtle shadows and reflections adding depth and realism. Scattered across the field are yellow and orange stalks of dried grass, poking through the snow, symbolizing the resilience of nature even in harsh conditions. These bright accents bring warmth and energy to the otherwise cool color scheme. The thick, layered application of paint in the foreground conveys the tactile sensation of fresh snow, emphasizing the quiet, untouched beauty of a winter landscape. The middle ground features a row of traditional village houses, their rooftops covered in snow. The houses are painted in muted tones of blue, brown, and white, blending harmoniously with the surrounding landscape. The snow-covered roofs add a sense of coziness and shelter, evoking the warmth of life inside, despite the cold weather outside. Behind the houses, a line of trees painted in deep greens and browns creates a natural boundary between the village and the horizon. The trees, with their bare branches, stand as silent witnesses to the changing seasons, adding a touch of melancholy and tranquility to the scene. Several wooden poles are visible throughout the composition, likely supporting electrical lines, hinting at the presence of human life and modernity in this otherwise timeless rural setting. The background is filled with a soft, cloudy sky, painted in shades of beige, pale pink, and light gray. The sky appears hazy, suggesting a calm winter day, with the sun hidden behind the clouds. The muted colors in the sky create a sense of stillness and quiet, reinforcing the peaceful atmosphere of the village. The combination of warm and cool tones in the background creates a sense of balance, making the composition feel harmonious and complete. The blurred edges of the horizon suggest a gentle transition between the village and the sky, emphasizing the vastness of the winter landscape. "Village in Winter" is a captivating portrayal of a snowy rural landscape, capturing both the beauty and tranquility of winter. The thick textures and harmonious color palette bring depth and life to the scene, while the quiet atmosphere evokes feelings of peace and reflection. The painting invites the viewer to experience the timeless charm of village life during winter, appreciating the simple, enduring beauty of nature in all its forms
About the seller
Ukrainian Vintage Co • United States
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Presentation
Oksana Antonivna Ivanyuk is an outstanding artist from Poltava, Ukraine, born on November 9, 1964, in the village of Zorya, Rivne region. Her talent and love for art manifested from a young age, and she decided to dedicate her life to creating marvelous paintings.
Oksana Antonivna obtained a higher education at the N. Samokish Crimean Art School, where she was mentored by eminent artists H. Kurylenko and V. Hryhoriyev. After completing her studies, she actively developed her talents in the field of painting, focusing on realistic-style landscapes and still lifes.
From 1989 to 2008, Oksana worked as an art teacher at the Pyriatyn School-Gymnasium of Aesthetic Education in Poltava Oblast, where she imparted her knowledge to her students and instilled in them a love for art.
As an active member of the National Union of Artists of Ukraine since 2010, Oksana participated in various exhibitions, both at the national and international levels, earning recognition for her talent and mastery.
Oksana Ivanyuk held solo exhibitions in Kyiv, Lubny (Poltava Oblast), Pryluky (Chernihiv Oblast), and Poltava, where she showcased her profound and emotional works. Among them are "The Last Snow. March" (2002), "Flood" (2005), "Silence" (2006), "The Last Ray," "Christmas Cathedral" (2008), "Autumn," "Kalyna on the Table" (2010). Her artworks can also be found in the National Art Museum and the Museum of Cultural Heritage in Kyiv.
Residing and working in Poltava, Oksana Ivanyuk embodied her artistic ideas in striking canvases that convey her inner awakenings, feelings, and emotions. Her art always captivates and leaves a sense of profound harmony with nature and the surrounding world.
After graduating from the N. Samokish Crimean Art School, the elder generation of Ivanyuks, Oleksiy and Oksana, founded their own art school in Pyriatyn, a small town in Poltava Oblast, which they supported financially for over a decade. Growing up under the influence of classical art, the couple favored working from nature, depicting classical still life and monumental canvases, with the secret of their compositional and dramatic strength lying in the use of naturism as their core philosophical concept.
In Oleksiy Ivanyuk's Poltava landscapes, there is a greatness in simplicity, a view of ordinary suburban landscapes as wonders that are no longer accessible to the average resident of a metropolis. Fauvist colors and impasto techniques are applied by the master to enhance expressiveness, while thick brushstrokes emphasize the form and relief of the depicted objects. Familiar places, houses immersed in green gardens, boundless steppes, fields, forest glades, and streets become lyrical abstractions and reach the level of aesthetic reflection, reflecting the author's sensory perception of the world.
In Oksana Ivanyuk's vibrant floral still lifes, baroque polyphony is embodied, which is why seemingly secondary elements become the main elements of the composition. Her lush bouquets are universal floral images of binary culture, with a variety of meanings that correspond to the main higher needs of existence. For Oksana Ivanyuk, reproducing flowers is always a display of personal experiences, a demonstration of her own attitude towards life situations, and the image itself becomes a symbol of beauty and harmony.
Both artists, Oleksiy and Oksana, have a unique approach to their craft, infusing their works with emotions, insights, and reflections on the world around them. Their dedication to preserving and promoting art is evident through their art school, where they pass on their knowledge and passion to the next generation of aspiring artists. Their creative endeavors continue to leave a lasting impact on the art world, inspiring viewers and fellow artists alike with their powerful and evocative works.
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