Birds and avocado, 1992
Madeleine Colaço

Painting : embroidery

125 x 189 x 1 cm 49.2 x 74.4 x 0.4 inch

$16,380

One of the last works available by this artist

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

125 x 189 x 1 cm 49.2 x 74.4 x 0.4 inch Height x Width x Depth

Framing

Not framed


Tags

Floral

Animal

Birds

Sky blue

Green

Artwork sold in perfect condition

Artwork location: Brazil

This artwork is a vibrant and intricate tapestry of jungle life, showcasing an array of lush foliage intertwined with vines and clusters of fruit. The use of bold, earthy colors like deep greens and browns is complemented by contrasting shades of blue, giving the piece a dynamic yet harmonious feel. The artist skillfully employs a combination of curvilinear forms and rich textures to create a sense of depth and movement within the composition. Each leaf and fruit is meticulously detailed, displaying a rhythmic pattern that draws the viewer's eye across the canvas. The piece exudes an exotic and captivating energy, inviting one to explore the layered complexity of its natural elements. This art is a celebration of the jungle's abundance, providing a visual feast that is both calming and invigorating. Its unique blend of patterns and colors marks it as a standout representation of nature's intricate beauty.

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About the seller

Galeria Jacques Ardies • Brazil

Artsper seller since 2019

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Imagine it at home

Madeleine Colaço, Birds and avocado
Brazil  • 1907

Presentation

Madeleine Colaço was French, born in Moroccos. To French-American

parents, and became Brazilian through naturalization. She was married to

Portuguese writer Ribeiro Colaço and moved with him to Brazil in 1940.

She studied tapestry in Morocco and in France, and discovered the

embroidery stitch which is known as the "Brazilian Stitch" and is

registered at the Centre International de la Tapisserie in Lausanne,

Switzerland.

She exhibited her tapestries for the first time in Rio de Janeiro in

1963, and from then on, carried out more than 46 solo exhibitions

worldwide: at the Chateau de Lucens in Lausanne, at Galerie Prinzhorn in

Vienna, at the Palais de Congrès in Brussels, at the Maison de

l'Amérique Latine in Monaco, at the Kansas State Museum in the USA, and

at the Musée d'Art Naïf Anatole Jakovsky in Nice, France. On nine

occasions between 1986 and 2007, Galeria Jacques Ardies in São Paulo

held viewings of her new tapestries.

In her words, she declared that: "For me, tapestry is the joy of living.

It's an art that teaches us other arts: (the art of) patience, for

example, or (the art of) research. It was through research that I had

the good fortune of creating the "Brazilian stitch" and being able to

offer it back to Brazil, which has given me so much."

Roberto Pontual wrote: "Her trajectory has always been sunny, luminously

pre-disposed to the warmth of what is festive. Her tapestries, dreamed

visions of the tropics, are unpretentious and exuberant at the same

time".

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