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Partition légendaire,
1996
Fadia Haddad
Painting : mixed media
92 x 73 x 3 cm 36.2 x 28.7 x 1.2 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
92 x 73 x 3 cm 36.2 x 28.7 x 1.2 inch Height x Width x Depth
Support
Framing
Black wood floater frame
Artwork dimensions including frame
97 x 78 x 4 cm 38.2 x 30.7 x 1.6 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Partition Légendaire 1996
mixte media on canvas, signed and dated,
Born in Beirut in 1959 1983 Lebanese Academy of Fine Arts, Beirut, Painting Diploma 1988 Ecole Nationale Superieure des Beaux-Arts, Paris, Diploma in Fine Arts This is all the power and poetry of the first arts, of which inspires the series of masks that resurface in his work. The compositions are usually vertical and complex in their realization. The lines and the colors mix to compose always different and figurative-inspired drawings where everything is symbolic in a series that could go to infinity and where the artist gives free rein to his instinct and his imagination. Totems, Birds, Masks, three subjects that Fadia works endlessly. The totems disappeared with time leaving room for birds, then masks. The artist's interest in the primitive arts was not conscious when she began her work. At first his totems were dislocated, fragmented in space and then little by little, they took shape. This theme dominated his work for six years, but already the bird appeared introducing new forms round, pointed, in flight, posed ... The colors that Fadia Haddad handle with master's hand catch the eye and take possession of the one who looks at them . These masks do not hide anything, they are forms that inhabit us, they do not hide, they reveal us. If some motifs evoke figures carved in Africa, it is because in contact with such object Fadia radicalizes its aspiration to a certain idea of ??purity. Fadia's masks are like the rest of his work, they reflect and release energy. Fadia is in perpetual motion. It is this energy that gives both balance and diversity to one's creativity. It is through Taoiste philosophy that the artist was able to reach a mental and physical state where she is both inside and outside of her work. She always meditates before beginning to paint to strive for perfection. His way of working is unusual. She works flat on the floor and on several paintings at the same time, she spreads 3 large paintings, or 20 pieces of paper and moves from one to another. From there comes his freedom in movement and color. She moves like a dancer between her works. It gets unprecedented evaporation effects, nothing or almost nothing flows. Everything where almost evaporates
Permanent Collection of the Institute of the Arab World (IMA) Collection Barjeel Art Foundation Collection Heritage of Humanity, artistic memory of the 20th. Century Auctions: Drouot Paris, Sotheby's London, Christie's Dubai Sale Private Collections: Among others: Saleh Barakat, Joseph Kirszenberg, Marc and Michele Vence, Alice Mogabgab, Fahd Hariri, Roger Azar, Ton Vink, The Centaurs, Alphonse Philips, Rolf Philips, Raphael Phillips, Odile Finck, Eric Beccafico ...
About the seller
Professional art gallery • France
Artsper seller since 2018
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