Portrait de famille
Lætitia Disone
Sculpture - 60 x 80 x 3 cm Sculpture - 23.6 x 31.5 x 1.2 inch
€9,000
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Empreinte,
2011
Lætitia Disone
Print : paper, etching, Chine-collé
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch
€6,000
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Support
Framing
Beige frame with museum glass
Artwork dimensions including frame
72 x 52 x 4 cm 28.3 x 20.5 x 1.6 inch
Artwork sold in perfect condition
Artwork location: France
Engraving on embossing and chine collé - Unique Edition 3/5 - Natural oak frame.
About the seller
Professional art gallery • France
Artsper seller since 2021
Vetted Seller
This seller rewards your purchases of multiple artworks
Imagine it at home
Discover more by the artist
N°7
Lætitia Disone
Fine Art Drawings - 40 x 30 x 0.1 cm Fine Art Drawings - 15.7 x 11.8 x 0 inch
€3,000
N°19
Lætitia Disone
Fine Art Drawings - 40 x 30 x 0.1 cm Fine Art Drawings - 15.7 x 11.8 x 0 inch
€3,000
Tête 2
Lætitia Disone
Fine Art Drawings - 23.5 x 17.5 x 1 cm Fine Art Drawings - 9.3 x 6.9 x 0.4 inch
€900
Miniatures
Lætitia Disone
Fine Art Drawings - 23.5 x 17.5 x 1 cm Fine Art Drawings - 9.3 x 6.9 x 0.4 inch
€900
Head 1
Lætitia Disone
Fine Art Drawings - 23.5 x 17.5 x 1 cm Fine Art Drawings - 9.3 x 6.9 x 0.4 inch
€900
N°8
Lætitia Disone
Fine Art Drawings - 40 x 30 x 0.1 cm Fine Art Drawings - 15.7 x 11.8 x 0 inch
€3,000
Presentation
Painter and Engraver, lives and works in Paris.
Laetitia Disone is introduced to figurative art through various courses such as those of Sofia Vari-Botero in Paris, the Artistic Center of Oxford in England, and the Circulo de Bellas Artes in Madrid in Spain. She also assists as an apprentice several painters in their work. The body (s) and its line become the main source of his inspiration.
In Ivory Coast, where she lived for several months, the curves of African art made her little by little simplify her figurative line to find a rhythm that would become essential. Over the years, freer in her formal research, she borrows the aesthetic codes of brut, aboriginal and street art. Little by little, the work of the line narrows down to the essential.
Bodies are deconstructed in order to rebuild themselves freely, otherwise, thus reinventing a new DNA with a new reading grid where everyone can dive into their own imagination. The choice of materials tends to materialize this search for freedom.
For Laetitia Disone the abstraction of forms is an echo of the diversity of modern identities. There is no longer a body. It is a question here of modular complementarity of forms, lines, plans in the construction of an "other" universe. Of the need to seek the right balance of the essential in an infinity of possibilities.
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