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L'anthropocène ou l'ère de l'Homme,
Circa 2020
Aya So
Painting : acrylic, collage, mixed media
120 x 100 x 0.7 cm 47.2 x 39.4 x 0.3 inch
€4,500
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Invoice from the gallery
Medium
Dimensions cm • inch
120 x 100 x 0.7 cm 47.2 x 39.4 x 0.3 inch Height x Width x Depth
Support
Framing
Silver frame
Artwork dimensions including frame
121 x 101 x 1.7 cm 47.6 x 39.8 x 0.7 inch
Tags
Artwork sold in perfect condition
Artwork location: France
For a new world, let us learn to "create society with nature".
Man, who through his innovations is the only species to have radically transformed his environment, generating problematic consequences for our planet, thereby endangering his own survival.
- numerical revolution
- A.I. (artificial intelligence)
- H.A.A.R.P.
- xenobot
- booster
Disruption, this process of creative destruction, which since the industrial revolution (Bertrand Gille) punctuates our lives in a frantic way in consumer capitalism and the data economy (Bernard Stiegler), causes rupture and fracture, generating a loss of bearings in the individual as well as the destruction of the transmission of know-how.
Technology is a pharmakon, both a remedy and a poison. In order to avoid totalitarianism and hegemony, think, see “common and ethical good” above all.
- know how
- upcycling
- Tech for good
- ethics
- Man-nature
For a new world, let's stop wanting to boost everything, let's learn to "sociate with nature".
AYA-SO
“It is incredible to see how the people, as soon as they are subjugated, suddenly fall into such profound forgetfulness of their freedom that it is impossible for them to wake up to regain it: they serve so well, and so willingly, that Looks like he has not only lost his freedom but gained his servitude."
Etienne de la Boetie (1530 - 1563)
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Man, who through his innovations is the only species to have radically transformed his environment, generating problematic consequences for our planet, thereby endangering his own survival.
- numerical revolution
- A.I. (artificial intelligence)
- H.A.A.R.P.
- xenobot
- booster
Disruption, this process of creative destruction, which since the industrial revolution (Bertrand Gille) punctuates our lives in a frantic way in consumer capitalism and the data economy (Bernard Stiegler), causes rupture and fracture, generating a loss of bearings in the individual as well as the destruction of the transmission of know-how.
Technology is a pharmakon, both a remedy and a poison. In order to avoid totalitarianism and hegemony, think, see “common and ethical good” above all.
- know how
- upcycling
- Tech for good
- ethics
- Man-nature
For a new world, let's stop wanting to boost everything, let's learn to "sociate with nature".
AYA-SO
“It is incredible to see how the people, as soon as they are subjugated, suddenly fall into such profound forgetfulness of their freedom that it is impossible for them to wake up to regain it: they serve so well, and so willingly, that Looks like he has not only lost his freedom but gained his servitude."
Etienne de la Boetie (1530 - 1563)
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Presentation
Aya So paints his perception of the world, his feelings, his emotions where color is omnipresent. Self-taught and strong of her artistic experience, she has mastered acrylic, inks and many other techniques by mixing various materials. Creation is, for her, both an outlet and a permanent quest. Through her constant artistic research, Aya So also/thus tries to manipulate the words/ills of her inner world, finding there the only alternative to subsist and come to terms with the outside world. His paintings are “me", “them", silent cries with deformed faces, dented bodies. Her artistic universe is nourished by an offbeat look at the world with which she transcribes the human essence. In 2005, it was exposed to the public on the virtual web and met with some success with several private collectors around the world. In 2008, she was thus selected for the "Plasticiens du Puy de Dôme". Since then, she has participated in several cultural fairs and festivals as well as numerous collective and personal exhibitions. "I hear the watches under the deep earth, driven by the torrent of humus from within. These enemies who aim at my head from within have their roots in the mud.
The canvas is mine! …"
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