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Walk,
2022
by Evelyne Puech
Painting : oil, glass 70 x 50 x 5 cm 27.6 x 19.7 x 2 inch
$2,102
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About the artwork
Unique work
Hand-signed by artist
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Artwork sold in perfect condition
Artwork location: France
Superposition of 3 framed Plexiglas without visible fasteners.
Series: Anonymous Configurations
Anonymous configurations presents a poetic research featuring cubic elements that are both stereotyped and singular. Metaphors for individuals, dehumanized and similar to constellations, the figures only reveal themselves through what they reflect or the relationships they have between them. Thus, the forms are defined by the spaces that keep them at a distance, their convergences and inclinations, the confluences that connect them, their distances, the margins that separate or connect them as well as their balance of power.
Disembodied, the volumes and voids are articulated around their allegorical powers and the material, both palpable and ethereal, that constitutes them. Evoking a mise en abîme which questions the relationship between the interior of oneself and the exterior of oneself, this research also alludes to the place of the individual in his urban environment and in the various groups to which he is affiliated. This series underlines for me the paradoxical experience of a plastic research centered on the ever more in-depth study of a material that is both transparent and three-dimensional and the disembodiment of subjects being reduced to their symbolic intensity.
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Series: Anonymous Configurations
Anonymous configurations presents a poetic research featuring cubic elements that are both stereotyped and singular. Metaphors for individuals, dehumanized and similar to constellations, the figures only reveal themselves through what they reflect or the relationships they have between them. Thus, the forms are defined by the spaces that keep them at a distance, their convergences and inclinations, the confluences that connect them, their distances, the margins that separate or connect them as well as their balance of power.
Disembodied, the volumes and voids are articulated around their allegorical powers and the material, both palpable and ethereal, that constitutes them. Evoking a mise en abîme which questions the relationship between the interior of oneself and the exterior of oneself, this research also alludes to the place of the individual in his urban environment and in the various groups to which he is affiliated. This series underlines for me the paradoxical experience of a plastic research centered on the ever more in-depth study of a material that is both transparent and three-dimensional and the disembodiment of subjects being reduced to their symbolic intensity.
About the seller
ART TROPE GALLERY • France
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Coming from a family of artists, Evelyne Puech practiced the reverse glass painting technique with her mother from the age of six. She naturally committed to the School of Decorative Arts' path in Geneva, then obtained a diploma of Artistic Maturity in the Visual Arts section to finish with the University of Geneva in the field of psychology and psychotherapy at the IRAT Institute in Lyon.
Evelyne Puech is driven by the need to build and express a universe in which she highlights a form of beauty and poetry and to share it. This choice of technique and material has always been the basis of the plastic and aesthetic research of the artist, particularly for reasons of transparency, superimpositions and inversions. The reference artists who inspire her artistic universe are figures of lyrical, mystical or figurative abstraction such as Chu Teh Chu, Zao Wu Ki, Zaoming Wu or even Turner, Brüggel et Bosh.
Evelyne Puech explores reverse glass painting. This technique was widely used for sacral paintings until the Renaissance. It also corroborates the content and meaning of the work of the painter who likes to think upside down, to see things from the other side. It promotes the mobility of her mind. Evelyne Puech's approach constitutes both a movement towards authenticity and an awareness of the irreversible. The accuracy of the gesture takes precedence since what is painted once cannot be touched up again. By leaving an imprint, that of the initial trace, the artist has personally reappropriated this technique with a contemporary support replacing glass by alternating vaporous textures to intensify the material.
Evelyne Puech offers in all of her work a symbolic connotation, a universe of transparencies and materials, a present including a past through subjects that each person can cross. Her works are generally made up of three or four plexiglas spaced out in order to bring a third dimension, which strongly distinguishes her art.
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Evelyne Puech
Walk, 2022
Painting
$2,102
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