Migration 4, Jour 1, 2023

by Patrice Palacio

Painting : oil 70 x 50 x 5 cm

$3,418
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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Medium

Dimensions cm inch

70 x 50 x 5 cm Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: France

The Migration series presents 40 paintings of identical size 50 × 70 cm, oil on canvas with the subject of the sea.

The Mediterranean Sea.



Beyond its contemplative aspect, this theme is a classic subject of painting. Here, it takes on a contemporary dimension due to the current issues of migration and global warming.

Black and white brings a particular distance from nature. We are in a relationship to the nuance, to the tone. The paintings are titled day after day like an infinite variation, a crossing, a logbook.
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About the seller

Professional art gallery • France

Artsper seller since 2018

Vetted Seller


Collector’s Guide

Imagine it at home

Patrice Palacio, Migration 4, Jour 1
Patrice Palacio

Patrice Palacio

France  • 1977

Patrice Palacio is a French painter and designer born in 1977.

His work has been developing for 20 years in the form of series essentially articulated around two constants:

- The exclusive use of black and white.

- The deconstruction of pictorial perception.

Patrice Palacio develops his research in the form of series.

The subject is with him a pretext to probe the fundamental issues of Painting.

“What do we see when we look? "," Where is the gaze located? "," How to write what is not? "

Plastically, his practice focuses on luminance, the delayed, the painting object, the void.

Faced with his paintings, the viewer quickly finds himself in a figuration / abstraction duality, useless to apprehend the work, and therefore questions the relationship to the Real and to its representation.

The artist uses a precise coding-decoding protocol that he assimilates to writing.

The recomposed signs take on meaning and become an image.

Patrice Palacio speaks of a “permanent round trip from the detail to the whole, the only condition for finding the place of the gaze that teaches about one's own perception of the world".

Finally, his position as an artist in his time wants to be shifted since he declares: "It is not so much my art that is contemporary as its spectators."


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