The Mysterious Appearance of the Georgia O'Keefe Mug, 2017

by JJ Manford

Painting : acrylic, pastel, oil stick 49.5 x 40.6 x 2 cm 19.5 x 16 x 0.8 inch

$9,998

One of the last works available by this artist

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Painting: acrylic, pastel, oil stick

Dimensions cm inch

49.5 x 40.6 x 2 cm 19.5 x 16 x 0.8 inch Height x Width x Depth

Framing

Brown floater frame

Artwork dimensions including frame

52.04 x 43.14 x 2.54 cm 20.5 x 17 x 1 inch


Artwork sold in perfect condition

Artwork location: United States

Hand signed, titled and dated by the Artist on verso. Artwork is in excellent condition and comes custom framed in brown floating wood frame.
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About the seller

End To End Gallery • United States

Artsper seller since 2020

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Collector’s Guide

Imagine it at home

JJ Manford, The Mysterious Appearance of the Georgia O'Keefe Mug
JJ Manford

JJ Manford

United States  • 1983

JJ Manford (B. 1983) lives and works in Brooklyn, NY. Drawing upon art historical sources, personal as well as projective memories, textiles and the rural New York landscape, JJ Manford's works explore themes of nomadism, isolation, the sublime, the psychedelic and transcendent, with a compositional sense that often employs a tension between figuration and abstraction. Recent solo and two person shows include “Greenport Magic" at Arts and Leisure Gallery (catalogue available, with essays by Will Blythe of The New York Times, and Jon Lutz of 106 Green Gallery), Harlem, NY, “Wanderers and Wildflowers" at John Davis Gallery, Hudson, NY, “Liminal Grove", One River Gallery, Allendale & Englewood, and “Through Every Leaf" (with Max Razdow) at Freight + Volume Gallery, NYC. JJ's work and curatorial projects have been written about and mentioned by such publications as Hyperallergic, The New Yorker, Huffington Post, Art Fuse, Wall Street International, Ephemera NYC, Gorky's Granddaughter (video interview), and On-Verge (interviewed by Katherine Bradford).

Statement

I see my paintings as a convergence of the projective and spontaneous with the formal and strategic. There usually needs to be a balance between these two applications, or else the image does not coalesce with the right amount of dynamic tension, and produces no magic. Hardly any of my paintings are literal depictions of personal memories, or places I have been or thought about, however all of these things seep into my unconscious and rise to the level of my awareness, to varying degrees. Along those lines, I tend to shy away from prescriptive imagery, and trust where my compositional and painterly impulses take me.


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