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Bronze in fez,
2025
Francesco Benigni
Painting : oil
35 x 70 x 2 cm 13.8 x 27.6 x 0.8 inch
$851
851 $US
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
35 x 70 x 2 cm 13.8 x 27.6 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
This artwork portrays a bustling market scene, focusing on a man surrounded by gleaming copper pots. The warm, earthy tones create an inviting and rich atmosphere. The artist skillfully uses soft brushstrokes to convey the textures of the metal and fabric, enhancing the tactile quality of the composition. The man, depicted in a blue shirt, serves as the focal point, exuding a sense of pride and diligence. The varied shapes and sizes of the pots are meticulously rendered, demonstrating the artist's attention to detail. Diffused sunlight filters through the market, casting gentle shadows and highlighting the intricate details of the scene. This piece captures not only a moment in the rhythm of daily life but also celebrates the artisan craft and cultural vibrancy. It's a testament to the beauty found in the ordinary, inviting viewers to appreciate the harmony in everyday commerce.
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Discover more by the artist
Presentation
Born in London in 2003 but raised in a small town in Lombardy.
After graduating from the art high school, he continued his research by studying painting at the Florence Art Academy.
Since 2025 he has collaborated with the Tobias Art Gallery and some of his works are already in private collections around the world.
During his trip in Morocco, he said this:
"'I tried to capture on canvas some of the atmospheres and scenes that I experienced and that left a mark on me."
Part of this research was also finding the right balance in creating the impression of a subject: that is, how far it was necessary define it and build its surrounding environment.
The technique used remains oil, with changes are the supports and the dimensions.
"In general my work begins when I catch an expression, like between friends, and decontextualized it, shape it so that what would otherwise fade away becomes a standalone image.
And when it's not like that, it's because I follow my visual appetite without question, which, like hunger, daily asks me for figures and spaces.
So with the same wonder with which I get lost admiring certain masterpieces by great artists, I seek with commitment, joy, and anguish to give worthy homes to my subjects."
More works from Tobian Art Gallery
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