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Lumieres noires sillons 2 Cicatrices 2,
2025
Serge Teneze
Painting : oil
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch
CHF 7,012
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This fascinating painting, both mysterious and hypnotic, presents an abstract composition remarkable for its swirling patterns. The curved and fluid lines, formed of light and shadow, create a dynamic movement that immediately captures attention. The silky texture of the surface, visibly crafted with care, reinforces the effect of depth and complexity. The color palette, dominated by metallic hues, gives the work a modern and sophisticated elegance. The subtle interplay of reflections and contours suggests a dreamlike landscape, inviting the viewer to introspective contemplation. Every detail of this masterpiece is both precise and harmonious, testifying to the artist's technical mastery and unique vision. A true ode to abstraction, this work inspires reflection and admiration.
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Presentation
Painting memory.
Our memory records particular moments attached to certain places, certain scents, the memory of people who have passed away, certain objects. These objects carry within them the trace of fleeting, intimate moments. Seeing them again, touching them, reopens the door to our (their) memory.
They contain images linked to our lives; imbued with so many moments, impressions, sensations, that they end up no longer being simple objects...they contain the memory of tragic or happy events, the indelible mark of our landmarks, of our common memory...
The object then resonates with the traces of our (its) own history, deposited on its cutaneous envelope. Time then passes and envelops, impregnates these "objects" which accompany us and leaves there, as on us, imprints, traces, and indelible scars.
Painting "memory" is what remains in me of this figurative time, which fades and transforms into a simple impression, until it becomes abstraction. What memory leaves us of these moments, of these objects, but which inevitably fade, then fade away... and disappear... the furrows of the "black lights" series, the striations of these hollowed-out grids splashed with light, or the lines of deep or colored partitions, and these hollowed "steps", carry their traces in the furrows of my memory. My memories slide into these striations, at the mercy of this light of the past; appear, disappear, then fade away, closing access to my history.
This light sculpting the ivory of my blacks strangely resonates with the last words that Victor Hugo is said to have spoken: "This is the battle of day or night... I see black light." Serge Tenèze.
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