Ella,
2024
Zeta Yeyati
Painting : collage, Stencil, mixed media
70 x 50 x 0.5 cm 27.6 x 19.7 x 0.2 inch
$375
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 50 x 0.5 cm 27.6 x 19.7 x 0.2 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Mexico
Ella obra de Zeta Yeyati is a portrait that freezes time and invites us to look again. Created with mixed media on paper, this piece merges acrylic, stencil, and collage to portray more than just a face: it conveys an idea. Ella is not merely a woman's portrait but a symbolic, enigmatic figure. Through the use of assemblages, brushstrokes, and layered textures, her presence unfolds with silent intensity. With dimensions of 50x70cm and a palette of grey, black, white, and blue, the artwork plays with space in a fluid and spontaneous way. The result is a singular composition marked by ornamental elements, humorous undertones, and a vintage charm. The eyes, a distinctive feature in Yeyati's work, hold the viewer in a quiet dialogue. Rooted in a philosophy of transformation, Zeta Yeyati's art is a testament to the power of turning the discarded into something valuable, urging us to create with awareness and purpose. Ella becomes both a portrait and a visual manifesto of that belief.
Zeta Yeyati where music becomes image
An Argentine visual artist, Zeta Yeyati transcends genres to become a unique visual voice. While known for his work as a musician, his artistic foundation was laid in childhood through drawing and visual experimentation. His art flows beyond conventional media, blending textures and timelines to reveal a poetic imagination. He collects what others leave behind and turns it into symbolic beauty. His work is rooted in intuition and transformation, crafting pieces that echo memory and time.
The world of Ella obra de Zeta Yeyati as a reflection of identity
Ella obra de Zeta Yeyati reflects an artistic vision rooted in individuality and resistance to convention. Self-taught and independent of academic traditions, Yeyati creates through collage, assemblage, and the reuse of found objects. His creative process is one of recovery, where forgotten materials become meaningful components of new narratives. With graphic lines, layered transparencies, and imaginative characters defined by only a few strokes, he gives form to invisible worlds. Ella stands at the center not just visually but narratively, embodying the essence of Yeyati's artistic language.
What the gaze of Ella returns to us
Ella obra de Zeta Yeyati is more than a portrait. It is a mirror that reflects memory, desire, and transformation. Through an interplay of textures, materials, and symbols, the artist reminds us that even what is broken can become beautiful. In a world that discards the old or the damaged, Yeyati's art offers a powerful alternative: one of redemption and reinvention. Ella is the visual culmination of this ethos, a piece that invites us to look again, and this time, to truly see.
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Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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