Untitled II. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
$1,250
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Untitled XI. From the series Chiromorphose,
2010
Nico Baixas / Gos-com-fuig
Photography : black & white edition, archival pigment print
49.8 x 49.8 x 0.3 cm 19.6 x 19.6 x 0.1 inch
$1,250
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About the artwork
Type
Numbered and limited to 20 copies
20 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
49.8 x 49.8 x 0.3 cm 19.6 x 19.6 x 0.1 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United States
Untitled XI, (c-2-S1-0002). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 50 H cm x 50 W cm. Image size: 45 H cm x 45 W cm. Edition of 20 + 1AP Unframed Black & White photography More Sizes and Editions: Large size: 100 H cm x 100 W cm. Sheet size: 90 H cm x 90 W cm. Edition of 5 + 1AP. "Chiromorphose" 2010 Nico Baixas / Gos-com-fuig (Photographies by Mara Sanchez-Renero)
This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, I explored them like someone examining a foreign body, searching for their limits and pushing them in different directions. To do this, I used opposed sculptural concepts like straight-curved, and simple-complex; searched for the interconnection between fingers, and the balance between distances, and tried to generate geometric shapes and textures. At times, I would find shapes that were like doors opening onto a myriad of new possibilities. Throughout the process, I discovered a world of fingers that transformed reality taking it to another level. It is an abstract development, I didn't try to make the forms resemble known things. Despite this, the results are very suggestive, sometimes they look like architectural constructions or industrial designs, shells, corals, branches, flowers, masks. This effect is produced because many of these real objects are made with the same proportions or mathematical patterns inherent in nature. This is a question that interested me a lot. The fact that the distance of the finger bones coincides with the Fibonacci numbers, related to the golden ratio, which the Greeks and Renaissance considered the ideal of beauty, gives these shapes a special balance and perhaps a divine dimension.
This monochromatic artwork captures a pair of hands intricately intertwined against a stark white background. The composition, minimalist yet striking, draws attention to the hands' elegant and fluid forms as they create a delicate shape reminiscent of a frame or lens. The elongated fingers and visible tendons emphasize tension and grace, highlighting the fascinating dexterity and expression possible through human hands. The sleeves, featuring subtle stripes, add a geometric contrast to the organic flow of the fingers. This piece cleverly blurs the line between abstraction and realism, inviting viewers to interpret the space within the hand frame as a metaphorical portal or window. Its simplicity is deceptive, offering complexity in the interplay between form, emptiness, and possibility. This work masterfully engages the viewer, encouraging exploration of themes related to perception and interpretation.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Untitled VIII. From the series chiromorphose
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Untitled XXVIII. From the series chiromorph
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Untitled XII. From the series chiromorphose
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Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
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Untitled IX. From the series chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
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Untitled XXIV. From the Series Chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
$1,250
Untitled XXII. From the series chiromorph
Nico Baixas / Gos-com-fuig
Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
$1,250
Untitled VII. From the series chiromorphose
Nico Baixas / Gos-com-fuig
Photography - 49.8 x 49.8 x 0.3 cm Photography - 19.6 x 19.6 x 0.1 inch
$1,250
Presentation
Nico Baixas / Gos-com-fuig is a creative interdisciplinary artist from Barcelona. He started performing in theater at three years of age with his parent's company La Claca whose most important work was a collaboration with the famous painter Joan Miró.
Surrounded by an ambient of artistic freedom, Nico spent most of his childhood in art museums and theaters of the five continents when he resolves to pursue an artístic career, studying music, working in cinema and acting.
On his mother's side, his grandparents were deaf and spoke sign language, Nico inherited a special talent with his hands creating a unique style of virtuoso hand puppet performances.
After joining Cirque du Soleil his work is acclaimed by audiences and critics of major cities like New York, Tokyo, Paris, London, Rome...
Aside from his career as an actor and hand puppeteer, Nico develops a more personal line of work which he signs as Gos-com-fuig. With this alter ego he uses his hands and body to paint and create abstract and figurative photographs, videos, sculptures, and multimedia performances which give the viewer lots of freedom of interpretation.
This body of work started with a collection of all the shapes that can be created with two hands which are formed by one thousand shapes organized in order. The project received the grant GENERACIONES 07 and was presented at the art fair ARCO (Madrid).
Afterward, continued with a photographic exhibition, the publication of a book, and the development of a multimedia system composed of a computer program and video cameras which allowed him to paint using his hands and body.
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