Bleed # 202414, 2024

by Paul Snell

Photography : C-print

185 x 120 x 0.1 cm 72.8 x 47.2 x 0 inch

$8,080

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About the artwork

Type

Unique work

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Dimensions cm inch

185 x 120 x 0.1 cm 72.8 x 47.2 x 0 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Sky blue

Red

Artwork sold in perfect condition

Artwork location: Australia

Chromogenic Print Face-mounted 3mm Matte Plexiglas - unframed

"Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above.

Available in 5-6 weeks turnaround.

Snell creates small production runs, printing each unique work in an edition of one to three.  

His process begins by capturing a location or an object. He then digitally “decodes" the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding" process, during which the reduced formal elements of the work evolve their self-referential relationships within a new composition. This process blurs the boundary between “taking" and “making" a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Fujiflex printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.

Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo media. Paul Snell's recent works lure the viewer into a meditation on image saturation. The title of this exhibition, Visceral, brings the body back into the equation – not just the eye and brain, but the gut. These new works have emerged instinctively out of the artist's process, and consequently, they grab the viewer viscerally, harnessing the senses and luring them around the composition into voids and points of tension. He lives and works in Launceston, Tasmania."

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About the seller

IdeelArt • United Kingdom

Artsper seller since 2015

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Paul Snell, Bleed # 202414

Paul Snell

Australia  • 1968

Presentation

Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media.

He lives and works in Launceston, Tasmania.

He creates small production runs, printing each unique work in an edition of one to three.

His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes" the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding" process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition.

This process blurs the boundary between “taking" and “making" a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.

The visual lexicon Snell has developed is informed by the Modernist history of painting, especially minimalism and hard edged abstraction.

Snell has described his artistic practice as a search for “sensory understanding of the physical object."

His images are abstract, yet also declare a certain concrete recognition of their own material substance. Snell intends to create visually arresting works that allow viewers to enter into a contemplative, or even transcendent state. He achieves this through the deployment of rhythmic, harmonious visual structures such as concentric circular or linear patterns.

Color relationships and spatial realities are also of primary importance to Snell. The iconic presence of his works is due in part to the dynamism of the color relationships, in part to the architectonic-yet-open nature of his compositions, and in part to the vibrant, luminous qualities of the surfaces.

His work is included in numerous public and private collections, including that of ArtBank, the Devonport Regional Gallery, the Burnie Regional Gallery, and the Justin House Museum.


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