#3 Dexter Jackson with his fans, 2015

by David Nicolas Parel

Photography : archival pigment print 40 x 60 x 3 cm

$1,312

One of the last works available by this artist

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About the artwork

Type

Numbered and limited to 7 copies

7 copies available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Photography: archival pigment print

Dimensions cm inch

40 x 60 x 3 cm Height x Width x Depth

Framing

Black wood frame with glass

Artwork dimensions including frame

50 x 70 x 3 cm


Tags

Artwork sold in perfect condition

Origin: France

Arnold Classic

USA 2015 (Colombus)
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About the seller

Professional art gallery • France

Artsper seller since 2016

Vetted Seller


Collector’s Guide

Imagine it at home

David Nicolas Parel, #3 Dexter Jackson with his fans
David Nicolas Parel

David Nicolas Parel

Switzerland  • 1978

Born in 1978 in Annecy, David Nicolas Parel is a Franco-Swiss photographer. He lives in Geneva, Switzerland.

The artist draws his inspiration from the backstage of bodybuilding. Artists, Diane Arbus and Jane Evelyn Atwood (who photographed the backstage of prostitution during the 70s) have been pioneers of this approach.

The body plays a main role in David's work. With his keen eye, the artist digs the humanity that hides behind those corporal prowess. With subtlety, the photograph captures the body from an unprecedented angle and in unusual images. His photographs reveal individuals eager to exist through their bodies. They sculpt and model their bodies in order to build a personality and depict it with finesse and complexity, far from all the prejudices. Being an old bodybuilder, he manages to grasp the shades of an extreme practice. He brilliantly combines tenderness with this environment devoid of delicacy.

The artist confided during an interview for Télérama "I wanted to do the opposite of what we normally see. The backstage is normally forbidden to photographers, often parked in front of the stage. We can never see an athlete in his bubble. I have tried to grasp their feelings as they prepare, concentrate, relax, immerse in their thoughts, or doubts. My goal is to show them again as human beings, specially not in the representation of themselves. I photograph an orchesta director, the same way that I will a bodybuilder or a prostitute: human beings who are preparing, waiting, in their intimacy.
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