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Ultimes 2,
1996
Kumi Sugaï
Print : lithography
76 x 56 x 0.1 cm 29.9 x 22 x 0 inch
CHF 586
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About the artwork
Type
Numbered and limited to 100 copies
1 copy available
Signature
Plate signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
76 x 56 x 0.1 cm 29.9 x 22 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Signed and numbered lithograph. Edition in 100 copies on Arches paper. Made in 1996. Lithograph signed in the plate due to the artist's death, countersigned on the back and in pencil by his wife.
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Presentation
Kumi Sugaï (Japanese, 1919–1996) was a painter and printmaker, who moved to Paris and adopted a western style in his art. Born in Kobe to Malaysian musicians, Sugai attended the Osaka School of Fine Arts, where he learned about European painting techniques in addition to classical Japanese painting and calligraphy.
In 1937, he dropped out to work as a designer at a railway company until the end of World War II. In 1952, Kumi Sugaï moved to Paris and absorbed western styles, including Abstract Expressionism, and later, Minimalism and Pop Art. At first, Sugai worked with traditional ukiyo-e woodblock techniques, using bright colors to create prints infused with contemporary western influences.
In the 1960s, however, Sugai transitioned into painting and printing more geometric images of letters and traffic and directional signs. He quickly met international success, and exhibited work at the Sao Paulo Biennale, documenta at Kassel, and the Venice Biennale, as well as solo shows in New York and Tokyo.
In addition to painting, Kumi Sugaï wrote essays on his artistic process and, inspired by his friend, Alberto Giacometti (Swiss, 1901–1966), translated the subject matter of some of his paintings into small sculptures. Though his work fell out of the public eye, Sugai continued to work in his geometric style for the rest of his life. Sugai died in his hometown of Kobe in 1996.
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In 1937, he dropped out to work as a designer at a railway company until the end of World War II. In 1952, Kumi Sugaï moved to Paris and absorbed western styles, including Abstract Expressionism, and later, Minimalism and Pop Art. At first, Sugai worked with traditional ukiyo-e woodblock techniques, using bright colors to create prints infused with contemporary western influences.
In the 1960s, however, Sugai transitioned into painting and printing more geometric images of letters and traffic and directional signs. He quickly met international success, and exhibited work at the Sao Paulo Biennale, documenta at Kassel, and the Venice Biennale, as well as solo shows in New York and Tokyo.
In addition to painting, Kumi Sugaï wrote essays on his artistic process and, inspired by his friend, Alberto Giacometti (Swiss, 1901–1966), translated the subject matter of some of his paintings into small sculptures. Though his work fell out of the public eye, Sugai continued to work in his geometric style for the rest of his life. Sugai died in his hometown of Kobe in 1996.
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