Matière Grise V/S Intelligence Artificielle - série Collages, 2019

by Karine Barbier (dite Ka Bé)

Print : fine art print 80 x 66 x 0.2 cm 31.5 x 26 x 0.1 inch

$1,254

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9.6/10

About the artwork

Type

Numbered and limited to 30 copies

29 copies available

Signature

Plate signed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: fine art print

Dimensions cm inch

80 x 66 x 0.2 cm 31.5 x 26 x 0.1 inch Height x Width x Depth

Framing

White floater frame

Artwork dimensions including frame

84 x 70 x 4 cm 33.1 x 27.6 x 1.6 inch


Tags

Portrait

Graphic

Pop Art

Characters

Pop Culture

Faces

Artwork sold in perfect condition

Artwork location: France

Questioning the rise of Artificial Intelligence and the use of our own Gray Matter. Are they in competition? Will AI replace our inner self? To what extent will we still have the power to think, to research, to calculate or even to “cogitate” without being manipulated or directed? Will it invade every aspect of our lives? What are the future challenges surrounding this technology?

Maximum print size: 90 x 75 cm.
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About the seller

Concept Store Gallery • France

Artsper seller since 2018

Vetted Seller

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Collector’s Guide

Imagine it at home

Karine Barbier (dite Ka Bé), Matière Grise V/S Intelligence Artificielle - série Collages
Karine Barbier (dite Ka Bé)

Karine Barbier (dite Ka Bé)

France  • 1967

Karine Barbier (Ka Bé) became interested in artistic collage in the mid-90s. Originally a stained glass artist, his attraction to composition and color is far from trivial. The collage came as a natural extension, recreating a colorful visual, like a stained glass window.
Her childhood spent in Montmartre, her personal travels and her professional years in the world of “image", as a production and film director assistant, undoubtedly contributed to developing her artistic and colorful vision of life. .

Turning to stained glass for the first time in 1991, she plays with transparencies and materials. She created several works of art for windows, furniture and other decorative objects. She then devoted herself to the “Tiffany" technique to create lamps.

His first collages are “personal". She likes to edit, assemble and edit the multiple images that today's society produces. Totally self-taught in this field, she draws her inspiration from old magazines and other supports and materials... These “recycled" images, taken out of their context, serve as a staging for her to express herself. Composed like melodies, both fluid and surprising, his work embodies his sensitive analysis of the world.

While prioritizing quality and attention to detail for a millimeter-precise finish, she handles mixed papers, cuts them, gives them another orientation, harmonizes the colors and glues them. She then gives the final touch to her creations with several layers of varnish. The result, like a pieced together puzzle, gives way to a new image revealing: an observation, a feeling, a perspective, an idea or even a critical vision of society in general.


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