St. Apollonia FS II.330-333 (Matching Set), 1984
Andy Warhol

Print : Screen Print

152.4 x 111.8 x 5.1 cm 60 x 44 x 2 inch

CHF 79,206 CHF 75,246
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About the artwork

Type

Numbered and limited to 250 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

152.4 x 111.8 x 5.1 cm 60 x 44 x 2 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: United States

Screenprint on Essex Offset Kid Finish paper.

Size: 30 x 22 Inches Each.

Edition: 7/250.

Notes: Hand-signed by the Artist with matching edition numbers. Printed by Rupert Jasen Smith, New York and published by Dr. Frank Braun, Düsseldorf.

literature: Feldman/Schellmann II.330-333.

In the series, the “Prince of Pop" brings the patron saint of dentistry and toothaches into the 21st century, rejuvenating her by way of his Pop Art treatment. By recreating Saint Apollonia's image, Warhol formally recognizes her greatness in the same way he imortalized celebrities and other famous figures in his artwork. The original portrait of Saint Apollonia is attributed to the Italian painter, Piero della Francesca, circa 1455-1460.

Warhol's Saint Apollonia 333 depicts one of the many virgin martyrs that suffered violent uprisings against Christians in Alexandria, Egypt in the middle of the 2nd century. According to the Catholic Church, Alexandrian mobs tortured Apollonia by breaking and pulling out all of her teeth. Because of the nature of her gruesome martyrdom, she has been venerated as the patron saint of dentistry and specifically, toothaches. As such, in Warhol's Saint Apollonia, she is shown holding a tooth with a pair of pliers. A letter written by Dionysius, the Bishop of Alexandria, to Fabios, the Bishop of Antioch, details her fate: “These men seized her also and by repeated blows broke all her teeth. They then erected outside the city gates a pile of wood and threatened to burn her alive if she refused to repeat after them impious words (either a blasphemy against Christ, or an invocation of the heathen gods). Given, at her own request, a little freedom, she sprang quickly into the fire and was burned to death."

As opposed to Warhol's other Saint Apollonias, the Saint Apollonia 333 print bears the most resemblance to the painting it took inspiration from, using similar colors to the original, while adding a vibrancy that is not apparent in Francesca's version. Warhol attended church growing up and maintained his Catholic faith throughout his life. His devotion to Catholicism is likely what inspired works like Saint Apollonia 333. Unlike some of Warhol's other renaissance recreations, (see Birth of Venus, St. George and the Dragon, and The Annunciation), Saint Apollonia involves very little cropping of the original painting. The print even retains the “cracks" from the original, and Warhol chose not to use vibrant, thick swathes of color that overlap like in many of his other works. Whether Warhol preferred the original cropping, or held particular admiration for Saint Apollonia and her original portrait is anyone's best guess. But, as someone who was plagued by physical ailments, Saint Apollonia is an apt choice for Warhol, after all.

The original, five-century-old Saint Apollonia painting currently hangs in the National Gallery in Washington, DC.

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End To End Gallery • United States

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Andy Warhol, St. Apollonia FS II.330-333 (Matching Set)
United States  • 1928  - 1987

Presentation

Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol (whose real name was Andrew Warhola) started his career as an ad illustrator. He was the son of Czech immigrants and began studying design in 1945 at the Carnegie Institute of Technology in Pittsburgh, where he discovered advertising. He worked for magazines such as Glamour, Vogue, The New Yorker, and Harper's Bazaar. An eccentric socialite, Andy Warhol revolutionized contemporary art. A leading figure of pop art, he was one of the first artists to understand the importance of images in consumer society.

Warhol ventured into a wide variety of art forms, including performance art, photography, filmmaking, video installations, and writing, and controversially blurred the lines between fine art and mainstream aesthetics. Warhol died on February 22, 1987, in New York City.

More than twenty years after his death, Andy Warhol remains one of the most influential figures in contemporary art and culture. Warhol's life and work have inspired creative thinkers worldwide thanks to his enduring imagery, his artfully cultivated celebrity, and the ongoing research of dedicated scholars. His impact as an artist is far greater than his one perceptive observation that “everyone in the future will be famous for fifteen minutes". His intense curiosity resulted in an enormous body of work that spanned every available medium and most importantly contributed to the collapse of boundaries between high and low culture.

The artist moved to New York in 1949 and soon became a successful advertising artist. In the mid-1950s, the artist began making his shoe drawings, which are meant to represent typical features of famous personalities. In 1959 he designed wrapping paper alongside Nathan Gluck, which was printed with hand-made stamps. Warhol began making his comic-strip figures, such as Batman, Dick Tracy, and Superman at the beginning of the 1960s. His first portraits of Elvis quickly followed, which inspired the many paintings of Marilyn Monroe. His other works that equate to American consumption are "Disaster", "Do it Yourself", and the Campbell's soup cans.

These silkscreen prints were exhibited in 1962 in the New York Stable Gallery and soon led to the artist's rise to fame. The superficial consumer world became the artistic motto of Warhol and his assistants, who worked and lived together in the "Factory", Warhol's studio. This was where he produced his series covering the entire range of every-day-life and triviality, such as Coca Cola bottles and Dollar notes.

In the late 1960s, Warhol began to concentrate on film, theatre, and multimedia happenings with the band "The Velvet Underground". For Warhol, this experimentation was merely an extension of painting. He also founded the journal "Interview". Warhol survived an attempted assassination by Valerie Solanas in 1968 where he was shot and severely wounded. Warhol returned to painting mediums in the 1970s and collaborated with Jean-Michel Basquiat and Francesco Clemente and produced the TV program "Andy Warhol Television". Warhol is considered one of the most important members of Pop Art for radically changing the perception of art and aesthetics with his works by varying the idea of Pop in his artistic work.

By abandoning the claim for originality and creativity; "series instead of individuality" was Warhol's motto. He was a source of inspiration in the development of future art. During his last years, Warhol supported other artists like Keith Haring and Robert Mapplethorpe. After his death, his hometown Pittsburgh in Pennsylvania opened the 'Andy Warhol Museum' in his honor.

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