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Série : Lalibela, près du ciel - anges regardant, Ethiopie
Cristina García Rodero
Photography - 120 x 80 cm Photography - 47.2 x 31.5 inch
$17,389
Amazing stairway
Rani Bruchstein
Photography - 100 x 150 x 2 cm Photography - 39.4 x 59.1 x 0.8 inch
$9,043
Baja Landscape #1
Heike Bohnstengel
Photography - 35 x 28 x 0.1 cm Photography - 13.8 x 11 x 0 inch
$393
Late Shadows, Twin Palms
Heike Bohnstengel
Photography - 40 x 40 x 0.1 cm Photography - 15.7 x 15.7 x 0 inch
$443
Rendez-vous mon amour 3
Emeline Blanquet
Photography - 18 x 24 x 1 cm Photography - 7.1 x 9.4 x 0.4 inch
$258
"Vert 2 Gris" - Arboretum de Versailles-Chèvreloup
Vesna BECHA-BOJOVIC
Photography - 16 x 27 x 0.2 cm Photography - 6.3 x 10.6 x 0.1 inch
$140
John Travolta
Francis Apesteguy
Photography - 60 x 40 x 1 cm Photography - 23.6 x 15.7 x 0.4 inch
$550
Miles Davis - Courbé
Hervé Pezzini
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
$280
Under the Bridge
Christophe Battifero
Photography - 30 x 40 x 2 cm Photography - 11.8 x 15.7 x 0.8 inch
$471
Homme noir et blanc
Pascal Marlin
Fine Art Drawings - 65 x 50 x 0.1 cm Fine Art Drawings - 25.6 x 19.7 x 0 inch
$785
Couple noir et blanc
Pascal Marlin
Fine Art Drawings - 50 x 65 x 0.1 cm Fine Art Drawings - 19.7 x 25.6 x 0 inch
$785
Couple noir et blanc
Pascal Marlin
Fine Art Drawings - 50 x 65 x 0.1 cm Fine Art Drawings - 19.7 x 25.6 x 0 inch
$785
Rod Stewart, Small Faces
Jean-Pierre Roux
Photography - 30 x 40 cm Photography - 11.8 x 15.7 inch
$550
Johnny Thunders and friend
Jean-Pierre Roux
Photography - 40 x 30 cm Photography - 15.7 x 11.8 inch
$550
Mananara, Madagascar, 2014
Pierrot Men
Photography - 30 x 45 cm Photography - 11.8 x 17.7 inch
$2,356
3K Project - Untitled N° 09
Steeve Bauras
Photography - 80 x 120 x 4 cm Photography - 31.5 x 47.2 x 1.6 inch
$3,927
L'échappée belle
Marie Dorigny
Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch
$3,366
L’échappée belle
Marie Dorigny
Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch
$3,366
Vallée de la Vallouise, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Arêtes de la Bruyère, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Arbres de la vallée de la Clarée, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Vallée de la Clarée, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Torrent du Plan Chevalier, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Rochers de Névache, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Chapelle Notre-Dame-de-Bon-Secours, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Col du Chardonnet, Hautes-Alpes, de la série "Sur les chemins du Briançonnais"
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Paysage d'hiver du refuge du Chardonnet, Hautes-Alpes, de la série "Sur les chemins du Briançonnais"
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Paysage d'hiver du refuge du Chardonnet, Hautes-Alpes, de la série "Sur les chemins du Briançonnais"
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
Massif de l’Oisans, Hautes-Alpes, de la série Sur les chemins du Briançonnais
José Nicolas
Photography - 36 x 36 x 0.1 cm Photography - 14.2 x 14.2 x 0 inch
$561
004 - American Circus Paris
José Nicolas
Photography - 40 x 30 x 1 cm Photography - 15.7 x 11.8 x 0.4 inch
$617
003-American Circus Paris
José Nicolas
Photography - 30 x 40 x 1 cm Photography - 11.8 x 15.7 x 0.4 inch
$617
Secours en Montagne
José Nicolas
Photography - 40 x 50 x 1 cm Photography - 15.7 x 19.7 x 0.4 inch
$617
Somalienne et son enfant
José Nicolas
Photography - 50 x 40 x 1 cm Photography - 19.7 x 15.7 x 0.4 inch
$729
Tokyo crossing VIII
Sven Pfrommer
Photography - 150 x 75 x 3 cm Photography - 59.1 x 29.5 x 1.2 inch
$3,354
Tokyo crossing VII
Sven Pfrommer
Photography - 150 x 75 x 3 cm Photography - 59.1 x 29.5 x 1.2 inch
$3,354
Tokyo crossing V
Sven Pfrommer
Photography - 150 x 75 x 3 cm Photography - 59.1 x 29.5 x 1.2 inch
$3,354
Tokyo crossing VI
Sven Pfrommer
Photography - 150 x 75 x 3 cm Photography - 59.1 x 29.5 x 1.2 inch
$3,354
Tokyo crossing IV
Sven Pfrommer
Photography - 150 x 75 x 3 cm Photography - 59.1 x 29.5 x 1.2 inch
$3,354
Tokyo crossing III
Sven Pfrommer
Photography - 150 x 75 x 3 cm Photography - 59.1 x 29.5 x 1.2 inch
$3,354
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!