Marilyn Glamour 2010, 2022

by Russell Young

Photography : canvas, mixed media

92 x 72 x 2 cm 36.2 x 28.3 x 0.8 inch


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About the artwork


Numbered and limited to 45 copies

1 copy available


Signed artwork


Sold with certificate of Authenticity from the artist

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Photography: canvas, mixed media

Dimensions cm inch

92 x 72 x 2 cm 36.2 x 28.3 x 0.8 inch Height x Width x Depth


Black frame

Artwork dimensions including frame

95 x 75 x 3 cm 37.4 x 29.5 x 1.2 inch

Artwork sold in perfect condition

Artwork location: United Arab Emirates

Russell Young is best known for compelling, larger-than-life silkscreen paintings appropriated from recent history and popular culture. Alluding to the great Pop artists of the past, he reinvents bold, sometimes brutal imagery while bearing witness to the ambition and glamorous excesses of twenty-first-century America.

With an unstoppable urge to launch his career, Young moved to London three weeks before his graduate show. This tough time, living rough on the Embankment and in a series of squats, with casual work in record shops and a tailoring business, was formative, developing his ideas about social inequality, popular culture, the music industry, fashion, and materials. The opportunity arose to assist the photographer Christos Raftopoulos, who introduced Young to fresh concepts of intense detail and light. He embarked on projects of his own, taking photographs at the live club shows of Bauhaus, REM, and The Smiths, which led on to magazine commissions and sessions for record companies. In 1986, he shot the sleeve imagery for George Michael's album Faith, which was to sell over 25 million copies. After this Young was launched into the limelight and produced portraits of such musicians as Morrissey, Björk, Bruce Springsteen and Bob Dylan and many sports and political celebrities. He diversified into music videos, directing 100 during the heyday of MTV. In 1992, he moved to Hollywood, where he met and married the actress Finola Hughes.

During the 1990s Young began looking beyond the limits of the photograph and started to paint seriously. In 1998 he relocated to New York, rented a studio in Williamsburg, Brooklyn, and worked on a series of Combine Painting experiments, making assemblages of collage, found objects and street graffiti. His first solo exhibition, in Los Angeles in 2003, was an anti-celebrity series of Pig Portraits. Its uncomfortably large monochrome silkscreens, based on low-grade police booking photographs, record moments when the rich and famous fell foul of the law. However, in turning the tables on his former career they achieve a more penetrating beauty and iconic status. Established as a painter, Young, and his family moved back to the California coast, where he focused on 'action by reflection', developing ideas. The powerful, eclectic Fame+Shame series followed in 2005, documenting the fallout of cultural excess from the previous three decades - a gritty, Pop Art cocktail of America seen through the eyes of a marginalised immigrant from northern England.

Young began to use diamond dust in 2007, pressing crystals into paintings he called >Dirty Pretty Things. He was drawn to the opulence of the light shimmering off the multi-faceted glass, the famous faces lost in abstract flickers of light only to re-emerge. His American Envy paintings (2009) revisit the country's counterculture but go deeper into a vortex of rebellion, hope, violence, and madness.

In 2010 Young was struck down by swine flu with severe complications. In a coma for eight days, he was not expected to survive. After a lengthy stay in hospital, he emerged from this near-death experience; during the process of recovery, he explored the effects of trauma on both the individual and the cultural psyche. 2011 saw a seminal shift in his work, embracing a more visceral artistic process Young produced the magnificent Helter Skelter series.

Young's artistic output embraces painting, screenprinting, sculpture, installations, and film. Most important to him are the titles, the crops, and the progression from darkness to light, reflecting his transition from painful early years in northern England to warmth, growth and fulfilled potential under the sunny skies of America. As his art evolves, the darks become darker, the lights bigger and brighter.

In January 2016 Young and Hughes received the Spirit of Elysium award from Dame Vivienne Westwood and Andreas Kronthaler in recognition of their charitable enterprises using art as a catalyst for social change. Young's work is represented in the collections of the Polk Museum of Art in Florida, the Albertina Museum in Vienna, the Istanbul Museum of Modern Art, the Saatchi Collection, Barack Obama, the Qatari royal family, Liz Taylor, Kate Moss, David Bowie, and Brad Pitt. Young has exhibited in museums and galleries in London, Paris, Vienna, Berlin, Tokyo, Singapore, New York, Detroit, Miami, and Los Angeles.

In late 2018, Superstar, a landmark retrospective of Young's work, opened at Modern Art Museum, Shanghai, allowing his audience to reflect on the development of a remarkable body of work spanning almost two decades of practice. Russell Young was the first American contemporary artists to ever be exhibited at the Museum of Modern Art, Shanghai, with his work being met with critical acclaim by its Chinese audience as well as the rest of the world with over 15,000 visitors viewing the exhibition in the opening week. 

Due to demand, multiple events where organised by the Museum of Modern Art, Shanghai for Superstar. This included a private guided tour by the artist, a one-off silkscreen printing workshop, and private talks given to students of the prestigious Donghua and Tongji Universities where Young was able to meet and inspire a future generation of Chinese artists. 

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About the seller

7Art Gallery • United Arab Emirates

Artsper seller since 2023

Vetted Seller

Imagine it at home

Russell Young, Marilyn Glamour 2010

Russell Young

United Kingdom  • 1959


Russell Young was born in 1959 to an unwed mother and into the cold, wet, isolation of Northern England. He spent his first months passed from foster care to a nunnery and at four months, was adopted by Ken and Lesley Young. The new family migrated across the north. From an early age Young felt an outsider in this dark world. He was powerfully drawn to the idealized drama and warm comfort of the American dream. Everything American he came in contact with represented freedom, possibility and sun. Young hated school and by the age of 14 often skipped out entirely. He escaped to the football terraces with his father. He loved the chants and tough terrace culture. As many northern youths, he was born ripe into the Sex Pistols, Joy Division, New Order and the northern soul of the Wigan Casino.

He began to take photographs. He landed at the Chester Art College where he studied photography, film and graphic design under Jack Straw, who shaped Young's early development, presenting a never imagined path forward. His parents divorced. He continued on to Exeter Art College and to London where he couldn't find a job. After months on the streets he began assisting photographer, Christos Raftopoulos. Raftopoulos, an aesthete, took him under his wing and taught him to see a new world of light and sharp detail. Raftopoulos pushed Young to take on projects of his own.

He started at the live club shows of Bauhaus, R.E.M. and the Smiths. The photographs were exquisite and he quickly picked up work for magazines and eventually began sessions for the record companies. In 1986, he shot the 'Faith' sleeve for George Michael, launching him towards America and opportunity. He did portraits of Morrissey, Bjork, Springsteen, Dylan, New Order, Diana Ross, Paul Newman and many other celebrities. He began to direct music videos; one hundred during the glory days of MTV.

In 1992, Young moved to Hollywood. He met Finola Hughes, they married and life took shape for him in America. His career as a photographer and music video director was flourishing. He carved out the time and began to paint seriously. Young and Hughes moved to New York. In September 2000, he'd grown frustrated by the limits of the photograph and the commercial world around it. Hughes was seven months pregnant with their first son. He felt frozen and dead as a creative person. He went to Tuscany and he sat on a hill above a farm to meditate on becoming an artist.

Young returned to New York and rented a studio in Brooklyn and began a series of experiments he called, 'Combine Paintings'. He also started what he believed were clearly extensions of photography. He begins his series of 'Pig Portraits'. Young had spent his photographic career doing portraits of celebrities. He never felt he'd captured his subject as true and as powerfully as these new works. The answers to the questions he had of himself were in fact playing out in the 'Pig Portraits'. They attacked the nature of photography, portraiture and prickly nature of celebrity itself.

In 2003 he showed his first series of 'Pig Portraits' in Los Angeles. He was now a painter, an artist. The family moved back to California and built a house on the coast, 80 miles north of Los Angeles. Young built a studio on the compound and began working alone, focusing on the development of ideas and flying east to New York to work with his master printer and team.

Young pressed himself into this new method of action by reflection, using its forced structure to allow the freedom to follow streams of thought that would normally be cast aside in haste. This lead to powerful new work, eclectic in scope, never afraid to turn on itself. In 2007, he showed his Fame + Shame paintings in London. They were an exorcism, a gritty, bare 'pop-art cocktail' of America, seen through the eyes of the young man from the north of England, leading one through the glamour and glory to brutal chaos and brooding. Crying out, “shelve your western plans."

Young began to use diamond dust in 2007, pressing the crystals into the enamel of the paintings. He was drawn to the opulence of the light, shimmering off the multi-faceted glass. He hung the paintings from the trees of his California garden. At night the moon shone blue on the crystals. The images were lost in the abstract flicker of light only to once again, reclaim their place. In the monochrome paintings we recognize Marilyn Crying and Kurt Cobain. Then the light falls on the diamonds and the choir sings. He called them “Dirty Pretty Things" and seemed to assault the idea of even looking at pictures, turning the experience into chewing bubble gum.

In 2009 he began the “American Envy" paintings, revisiting some of his most iconic social signifiers, but going deeper into the eye of the storm, brilliantly walking us down the spiraling vortex of rebellion, hope, violence and madness towards the collision of dream and sacrifice. Elvis, JFK and Charles Manson are the chaperons.

In February 2010, Young was admitted to the Cottage Hospital in Santa Barbara, California and diagnosed with the H1N1 virus, the Swine Flu. Young endured an 8-day induced coma with doctors and loved ones skeptical of recovery. After a lengthy stay in hospital, Young emerged from his near-death experience with severe memory loss and an incredibly weak body. Little by little, he built back his strength and began examining his life and his surroundings in a whole new way. He says, “I left the hospital and I had to learn to breath, write, draw, think, and walk for the second time in my life."

During this process of recovery, Young began to explore the nature of trauma and its effect on both the individual and cultural psyche. Embracing and utilizing a new more visceral and animalistic process he attacks and dissects the imagery within the canvas. 2011 forced a seminal shift in his work. He began to work free from the domestication of art, like a feral boy, filled with a new, rough energy of violence, sex and power. First, in his magnificent, “Helter Skelter" paintings he danced with this energy. He cast away a century of 'modern pictures' and produced a stunning series, where we don't look from afar but are surrounded in chaos and mayhem. These are not pictures of the murder of Meredith Hunter at Altamont; they used the picture as the brush to paint the 'Helter Skelter'.

With his next series, “Isolation", Young forced shift again, harder. In an act of Burroughs, he 'cuts up' the glossy files of bound women and forces them onto large, unimaginable orgies of claustrophobic assemblage. With enormous screens, he prints each into her place; episode in multitude, again and again. The sultry, luscious black enamel is made rough and dirty by the act. The room has gotten smaller; we are surrounded by hard, dark, unapologetic fantasy. The women ask if they are art. The room fills with the symphonic screams of pleasure both beautiful and brutal. The paintings are named for the council flats of Northern England; Nant Peris, The Gorbals, Thorntree. Their names twist the paintings from sex to the screams of children, fighting for a way out of the dark. Akin to Joy Division, a name taken from the nazi camp whorehouse, where the officers found pleasure in their prize.

Young continues to challenge and reinvent himself using bold, forceful checks and assaults on his own systems to find new ways of expression. He uses themes, still with him from boyhood, to express feelings of isolation, alienation, entrapment and the marginalized dreams of an outsider fighting for a way into the light and expression. His work has been shown in London, Paris, Berlin, Tokyo, Singapore, New York, Detroit, Miami and Los Angeles.

Russell Young lives and works on the California coast and in Brooklyn, New York.




Modern Art Museum, Shanghai


FOREVER YOUNG: A Retrospective

Polk Museum of Art, Lakeland, FL


RUSSELL YOUNG: A Retrospective

Goss-Michael Foundation, Dallas


Albertina Museum, Vienna

Carlo Ancelotti, Madrid

Jennifer Aniston, Los Angeles

Kate Beckinsale, Los Angeles

The Benetton Foundation, Treviso, Italy

David Bowie, New York

The Core Club, New York

Cornell Art Museum, Florida

Beth DeWoody, New York

Drake, Hidden Hills, California

Kirsten Dunst, Los Angeles

The Getty Collection, Los Angeles

Goss-Michael Foundation, Dallas

Laurence Graff, New York

David Hockney, Los Angeles

Istanbul Museum of Modern Art, Istanbul

Marc Jacobs, New York

Kris Jenner, Los Angeles

Angelina Jolie, Los Angeles

Khloe Kardashian, Los Angeles

Floyd Mayweather, Las Vegas

The Mint Museum, Charlotte, North Carolina

Mohammed VI of Morocco, Rabat

The Estate of Marilyn Monroe, New York

Kate Moss, London

Multimedia Art Museum, Moscow

Elon Musk, Los Angeles

Mark Zuckerberg, Palo Alto

Sharon Osbourne, Los Angeles

John Paulson, New York

Crown Prince Pavlos of Greece, Athens

Joaquin Phoenix, Los Angeles

Brad Pitt, Los Angeles

The Polk Museum of Art, Florida

The Qatari Royal Family, Doha

Lou Reed, New York

Aby Rosen, New York

The Saatchi Collection, London

Paul Smith, London

Daisy Soros, New York

Elizabeth Taylor, Los Angeles

Kanye West, Los Angeles

White House Collection, Washington, DC

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